Laboratory of Experimental Psychology, Department of Brain and Cognition, KU Leuven (University of Leuven), Leuven, Belgium.
Br J Psychol. 2023 May;114(2):352-375. doi: 10.1111/bjop.12624. Epub 2022 Dec 26.
Against the backdrop of the COVID-19 pandemic, which restricted our daily (visual) experiences, we asked people to take an ugly and beautiful photograph from within their homes. In total, 284 photographs (142 ugly and 142 beautiful) and accompanying statements were submitted and brought to light an intimate portrait of how participants were experiencing their (lockdown) home environment. Results revealed an aesthetic preference for (living) nature. Beauty and ugliness were also connected to good versus bad views, mess versus cosiness, unflattering versus flattering portraits and positive versus negative (COVID-19) emotions. In terms of photography strategies, editing and colour were important for beautiful photographs, whereas a lack of effort and sharpness showed up relatively more in ugly photographs. A follow-up study revealed that other viewers' (n = 86) aesthetic judgements of the photographs were largely in line with the original submissions, and confirmed several of the themes. Overall, our study provides a unique photographic window on our everyday aesthetic experiences at home during the COVID-19 lockdown.
在 COVID-19 大流行的背景下,我们的日常生活(视觉)体验受到限制,因此我们要求人们从自己的家中拍摄一张丑陋和美丽的照片。总共有 284 张照片(142 张丑陋的和 142 张美丽的)和相关的说明提交上来,揭示了参与者如何体验他们的(封锁)家庭环境的亲密写照。结果表明,人们更喜欢(居住)自然之美。美丑也与好的和坏的景色、杂乱与舒适、不讨人喜欢与讨人喜欢的肖像以及积极与消极的(COVID-19)情绪有关。在摄影策略方面,编辑和色彩对于美丽的照片很重要,而缺乏努力和清晰度则在丑陋的照片中更为明显。后续研究显示,其他观看者(n=86)对照片的审美判断与最初的提交结果基本一致,并证实了其中的几个主题。总的来说,我们的研究通过 COVID-19 封锁期间在家中的日常审美体验提供了一个独特的摄影窗口。