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知识产权领域的稀缺性寓言。

Fables of scarcity in IP.

作者信息

Said Zahr K

机构信息

University of Washington, School of Law, Seattle, WA, United States.

出版信息

Front Res Metr Anal. 2023 Mar 7;7:974154. doi: 10.3389/frma.2022.974154. eCollection 2022.

Abstract

In this chapter, I use methods drawn from literary analysis to bear on artificial scarcity and explore how literary and legal storytelling engages in scarcity mongering. I find three particular narrative strategies calculated to compel a conclusion in favor of propertization: the spectacle of need, the diversionary tactic, and the rallying cry. First, I unpack the spectacle of need and its diversionary aspects through several literary accounts of scarcity and starvation. I juxtapose Franz Kafka's "A Hunger Artist," a story explicitly centered on a wasting body, with J.M. Coetzee's The Life and Times of Michael K. Second, to explore how scarcity fables offer diversionary tactics that redirect attention away from actual scarcity, I consider NFTs, or non-fungible tokens. NFTs reflect the arbitrary value scarcity can produce, especially when artificially generated. Yet NFTs offer a spectacle of need that distracts from actual scarcity, riding a wave of expansionist property logic that suggests that more ownership is the answer. Third, to consider the scarcity fable's propertarian rallying cry, I offer an extended close reading of a copyright dispute, Leonard v. Stemtech, involving a pair of microscopic stem cell photographs deemed so scarce they were valued at 100 times their past licensing history. Leonard illustrates how a scarcity fable may look in the context of intellectual property ("IP"). The nature of this chapter is necessarily conceptual and speculative, designed to raise questions rather than attempting conclusively to answer them. Through juxtaposition of literary accounts and one legal case study, fables of scarcity emerge as a genre whose very appearance in certain contexts ought to give scholars and policymakers pause. In copyright litigation, in which expansionist property narratives may be especially harmful to the public domain and subsequent creators, scarcity fables may be made to provide apparent support for potentially dangerous changes. Identifying scarcity fables as such when they appear in copyright cases could trigger review of the asserted scarcity and a more searching inquiry into whether the proposed solution could worsen actual scarcity.

摘要

在本章中,我运用文学分析方法来探讨人为稀缺问题,并探究文学叙事与法律叙事是如何制造稀缺恐慌的。我发现了三种特别的叙事策略,它们旨在得出有利于产权化的结论:需求奇观、转移策略和战斗口号。首先,我通过几篇关于稀缺与饥饿的文学作品来剖析需求奇观及其转移方面的内容。我将弗兰兹·卡夫卡的《饥饿艺术家》(一个明确以日渐消瘦的身体为中心的故事)与J.M. 库切的《迈克尔·K的生活与时代》并列比较。其次,为了探究稀缺寓言是如何提供转移策略,将注意力从实际稀缺上转移开的,我考量了非同质化代币(NFT)。NFT反映了稀缺能产生的任意价值,尤其是当它被人为制造的时候。然而,NFT制造了一种需求奇观,分散了对实际稀缺的注意力,它乘着扩张主义产权逻辑的浪潮,暗示更多的所有权就是答案。第三,为了考量稀缺寓言的产权主义战斗口号,我对一起版权纠纷案件——伦纳德诉斯泰姆泰克案进行了详细的文本细读,该案涉及两张微观干细胞照片,它们被认为极其稀缺,其价值是过去许可使用价格的100倍。伦纳德案展现了稀缺寓言在知识产权(“IP”)背景下的样子。本章的性质必然是概念性和推测性的,旨在提出问题,而非试图给出确定性的答案。通过并列文学作品和一个法律案例研究,稀缺寓言作为一种文类浮现出来,其在某些背景下的出现理应让学者和政策制定者有所思考。在版权诉讼中,扩张主义产权叙事可能对公共领域及后续创作者尤其有害,稀缺寓言可能会被用来为潜在的危险变革提供表面支持。当稀缺寓言出现在版权案件中时,识别出它们可能会引发对所声称的稀缺性的审查,并更深入地探究所提议的解决方案是否会加剧实际的稀缺状况。

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