Salisbury Laura
English and Film, University of Exeter, Exeter, UK.
Textual Pract. 2023 Jun 3;37(6):887-918. doi: 10.1080/0950236X.2022.2056767. Epub 2022 Mar 29.
This article analyses 'doomscrolling', or the compulsive reading of anxiety-inducing online content during the COVID-19 pandemic, against the common idea that it is simply an addictive social practice that impedes mental flourishing. Instead, in order to open up its inclination towards care, I read doomscrolling through the anachronistic neologism that has come to define this specifically textual practice. Tracing the operations that doomscrolling and anxiety perform on lived time, the article uses the work of Eugène Minkowski, Sigmund Freud, Lauren Berlant, Walter Benjamin, and Lisa Baraitser to examine how these practices hope to take care of time when narratives of progressive history have worn thin. I include analyses of the anxious textuality of Don DeLillo's and Saidiya Hartman's reworking of W. E. B. Du Bois's 'The Comet' to demonstrate how doomscrolling emerges from a moment when trust is anxiously fractured, but how it works, nevertheless, to witness what gets to count when time is felt to be coming to an end.
本文分析了“末日刷屏”现象,即在新冠疫情期间强迫性地阅读引发焦虑的网络内容,反驳了一种普遍观点,即认为这仅仅是一种阻碍精神健康的成瘾性社交行为。相反,为了揭示其关怀倾向,我通过一个不合时宜的新词来解读“末日刷屏”,这个新词已经成为这种特定文本行为的定义。通过追溯“末日刷屏”和焦虑在实际时间上的作用,本文借助欧仁·明科夫斯基、西格蒙德·弗洛伊德、劳伦·伯兰特、沃尔特·本雅明和丽莎·巴拉伊特瑟的研究,探讨当进步历史叙事变得薄弱时,这些行为如何试图关照时间。我对唐·德里罗的焦虑文本性以及赛迪娅·哈特曼对W. E. B. 杜波依斯的《彗星》的改写进行了分析,以展示“末日刷屏”如何产生于信任焦虑破裂的时刻,但它又是如何在感觉时间即将结束时见证那些被视为重要的事物。