Altenmüller E
Eur Arch Psychiatry Neurol Sci. 1986;235(6):342-54. doi: 10.1007/BF00381003.
Slow brain potentials were recorded during musical tasks in 60 healthy subjects (42 right-handers and 18 left-handers). In period I the tasks (pitch comparison or distinguishing of chords) were solved and in period II the results were written down. Eye movements and vocalizations were avoided. Unilateral lateralizations of negative potentials, recorded in transversal leads between corresponding brain regions, were determined from a baseline measured in a 3s pretest period. Left-sided or right-sided lateralizations in frontal, precentral, parietal and temporal regions were taken as evidence for a stronger activation of the underlying cortical areas. During period I, music tasks caused a right-sided lateralization in 53%, a left-sided one in 39% and no lateralization in 8% of the subjects. Language and calculation tasks, however, showed greater than 80% left-sided lateralizations in the same subjects. In period II lateralizations appeared contralateral to the writing hand, mainly in pre-central leads. The subjects (N = 60) were divided into 3 groups on the basis of their musical training: 20 non-musicians, 20 amateurs and 20 professional musicians were compared. A right-sided lateralization occurred more often in non-musicians and amateurs than in professionals. Right-handers and left-handers had about equal right-sided lateralizations in musical tests. But in left-handers bilateral negativity without lateralization occurred more often and left-sided lateralization less often than in right-handers. In 20 right-handers the passive experience or enjoyment of music was investigated. While only listening to music without tasks performance 8 subjects had a right-sided lateralization, 6 a left-sided one and 6 had bilateral negativity without lateralization. We conclude that music processing, unlike language processing, is not dominant in one hemisphere. It is suggested that electrophysiological correlates of hemispheric lateralization during musical tests may depend on musical training and handedness, but statistical significance needs further investigations on more subjects.
在60名健康受试者(42名右利手和18名左利手)进行音乐任务期间记录了慢脑电位。在第一阶段解决任务(音高比较或和弦辨别),在第二阶段写下结果。避免眼球运动和发声。从在3秒预测试期测量的基线确定在相应脑区之间的横向导联中记录的负电位的单侧偏侧化。额叶、中央前回、顶叶和颞叶区域的左侧或右侧偏侧化被视为基础皮质区域更强激活的证据。在第一阶段,音乐任务在53%的受试者中引起右侧偏侧化,39%的受试者中引起左侧偏侧化,8%的受试者中无偏侧化。然而,语言和计算任务在同一受试者中显示出超过80%的左侧偏侧化。在第二阶段,偏侧化出现在与书写手对侧的部位,主要在中央前回导联。受试者(N = 60)根据其音乐训练分为3组:比较了20名非音乐家、2名业余爱好者和20名专业音乐家。非音乐家和业余爱好者比专业人士更常出现右侧偏侧化。右利手和左利手在音乐测试中的右侧偏侧化频率大致相等。但与右利手相比,左利手更常出现无偏侧化的双侧负性,而左侧偏侧化较少。在20名右利手受试者中研究了对音乐的被动体验或享受。在仅听音乐而不执行任务时,8名受试者出现右侧偏侧化,6名出现左侧偏侧化,6名出现无偏侧化的双侧负性。我们得出结论,与语言处理不同,音乐处理在一个半球中并不占主导地位。有人提出,音乐测试期间半球偏侧化的电生理相关性可能取决于音乐训练和利手,但统计学意义需要对更多受试者进行进一步研究。