Lambek Simon
University of British Columbia, Canada.
Philos Soc Crit. 2023 Nov;49(9):1107-1127. doi: 10.1177/01914537221079677. Epub 2022 Apr 22.
This article considers the normative and critical value of popular comedy. I begin by assembling and evaluating a range of political theory literature on comedy. I argue that popular comedy can be conducive to both critical and transformative democratic effects, but that these effects are contingent on the way comedic performances are received by audiences. I illustrate this by means of a case study of a comedic climate change 'debate' from the television show, . Drawing from recent scholarship on deliberation, judgment and rhetoric, I highlight both critical and transformative dimensions of the performance. I attribute these to the vignette's likely reception, which I describe as 'dissonant' - unresolved, affectively turbulent and aesthetically attuned. I argue that comedy is uniquely positioned to spur such 'dissonant' modes of engagement and, in so doing, to promote acknowledgement and reflective judgment.
本文探讨大众喜剧的规范性和批判性价值。我首先收集并评估了一系列关于喜剧的政治理论文献。我认为大众喜剧有助于产生批判性和变革性的民主效应,但这些效应取决于喜剧表演被观众接受的方式。我通过对一档电视节目的喜剧气候变化“辩论”进行案例研究来说明这一点。借鉴近期关于审议、判断和修辞的学术研究,我突出了该表演的批判性和变革性维度。我将这些归因于该短剧可能的接受方式,我将其描述为“不协调的”——未解决的、情感动荡的且在美学上协调一致的。我认为喜剧具有独特的地位来激发这种“不协调的”参与模式,并以此促进认知和反思性判断。