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结合宏观X射线荧光(MA-XRF)和脉冲相位热成像(PPT)成像技术对木板油画进行技术研究。

Combined macro X-ray fluorescence (MA-XRF) and pulse phase thermography (PPT) imaging for the technical study of panel paintings.

作者信息

Deleu Nina, Hillen Michaël, Steenackers Gunther, Borms Gwen, Janssens Koen, Van der Stighelen Katlijne, Van der Snickt Geert

机构信息

ARCHES Research Group: University of Antwerp, Antwerp, Belgium; AXIS Research Group: University of Antwerp, Antwerp, Belgium.

InViLab Research Group: University of Antwerp, Antwerp, Belgium.

出版信息

Talanta. 2024 Apr 1;270:125533. doi: 10.1016/j.talanta.2023.125533. Epub 2023 Dec 9.

Abstract

Museum staff usually relies on a proven combination of X-ray radiography (XRR) and infrared reflectography (IRR) to study paintings in a non-destructive manner. In the last decades, however, the research toolbox of heritage scientists has expanded considerably, with a prime example being macro X-ray fluorescence (MA-XRF), producing element-specific images. The goal of this article is to illustrate the added value of augmenting MA-XRF with pulse phase thermography (PPT), a variant of active infrared thermographic imaging (IRT), which is an innovative diagnostic method that is able to reveal variations between or in materials, based on a different response to minor fluctuations in temperature when irradiated with optical radiation. By examining three 16- and 17-century panel paintings we assess the extent in which combined MA-XRF and PPT contributes to a better understanding of two commonly encountered interventions to panel paintings: (a) Anstückungen (enlargement of the panel) or (b) substitutions (replacement of part of the panel). Yielding information from different depths of the painting, these two techniques proved highly complementary with IRR and XRR, expanding the understanding of the build-up, genesis, and material history of the paintings. While MA-XRF documented the interventions to the wooden substrate indirectly by revealing variations in painting materials, paint handling and/or layer sequence between the original part and the extended or replaced planks, PPT proved beneficial for the study of the wooden support itself, by providing a clear image of the wood structure quasi-free of distortion by the superimposed paint or cradling. XRR, on the other hand, revealed other features from the wood structure, not visible with PPT, and allowed looking through the wooden panels, revealing e.g. the dowels used for joining the planks. Additionally, IRR visualised dissimilarities in the underdrawings. In this way, the results indicate that PPT has the potential to become an acknowledged add-on to the expanding set of imaging methods for paintings, especially when used in combination with MA-XRF, IRR and XRR.

摘要

博物馆工作人员通常依靠已被证实的X射线照相术(XRR)和红外反射照相术(IRR)的组合,以非破坏性的方式研究绘画作品。然而,在过去几十年中,遗产科学家的研究工具箱有了很大扩展,一个主要例子是宏观X射线荧光(MA-XRF),它能生成特定元素的图像。本文的目的是说明用脉冲相位热成像(PPT)增强MA-XRF的附加价值,PPT是主动红外热成像(IRT)的一种变体,是一种创新的诊断方法,能够根据材料在受到光辐射时对微小温度波动的不同响应,揭示材料之间或材料内部的差异。通过对三幅16和17世纪的木板画进行研究,我们评估了MA-XRF和PPT相结合在多大程度上有助于更好地理解木板画中两种常见的干预措施:(a)拼接(扩大画板)或(b)替换(更换画板的一部分)。这两种技术从绘画的不同深度获取信息,事实证明它们与IRR和XRR具有高度互补性,扩展了我们对绘画作品的构成、起源和材料历史的理解。虽然MA-XRF通过揭示原始部分与扩展或替换木板之间绘画材料、绘画处理和/或层序的差异,间接记录了对木质基材的干预,但PPT通过提供几乎没有因叠加的颜料或托架而产生变形的木材结构清晰图像,被证明对研究木质支撑本身很有帮助。另一方面,XRR揭示了木材结构中PPT无法看到的其他特征,并能透过木板看到,例如用于连接木板的榫钉。此外,IRR使底层画稿中的差异可视化。这样,结果表明PPT有可能成为不断扩展的绘画成像方法集的一项公认的补充技术,尤其是与MA-XRF、IRR和XRR结合使用时。

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