Faculty of Psychology and Educational Sciences, University of Geneva, Switzerland.
J Speech Lang Hear Res. 2024 Sep 12;67(9):2997-3003. doi: 10.1044/2024_JSLHR-24-00074. Epub 2024 Aug 12.
The production of speech-like sequences composed of varying syllables has been reported to achieve higher syllable rates than the production of repeated syllables (commonly designed as sequential motion rate [SMR] and alternating motion rate [AMR] tasks, respectively). The faster rate for SMR relative to AMR sequences is explained by different interpretative hypotheses, which remain empirically unexplored. In the present study, we aimed to investigate whether the high syllable rates of SMR sequences are due to the specific sequences used in most studies that involve front-to-back articulatory movements.
Syllable rates of SMR sequences composed of different articulatory trajectories (i.e., labial-alveolar-velar [/pateko/], alveolar-velar-labial [/tekopa/], and velar-labial-alveolar [/kopate/]) were compared with those of the AMR sequences /papapa/, /tetete/, and /kokoko/ in 20 participants.
The results show higher syllable rates for each of the three SMR sequences as compared to AMR, suggesting that the trajectory of the articulatory movements in the sequential sequences is not the key to achieving higher syllable rates.
The syllable rate advantage for SMR over AMR sequences is not explained by the articulatory trajectories included in the former task, indicating that the front-to-back movements generally included in SMR sequences (i.e., /pataka/) are not decisive in achieving a higher syllable rate.
与重复音节的产生(通常分别设计为连续运动率[SMR]和交替运动率[AMR]任务)相比,报告称产生由不同音节组成的类似言语的序列可实现更高的音节率。SMR 序列相对于 AMR 序列更快的速率是由不同的解释性假设解释的,这些假设在经验上仍未得到探索。在本研究中,我们旨在调查 SMR 序列的高音节率是否是由于大多数涉及从前向后的发音运动的研究中使用的特定序列所致。
将 SMR 序列(即唇齿音-齿龈音-软腭音[ /pateko/ ]、齿龈音-软腭音-唇齿音[ /tekopa/ ]和软腭音-唇齿音-齿龈音[ /kopate/ ])的音节率与 AMR 序列 /papapa/、/tetete/和 /kokoko/进行比较在 20 名参与者中。
结果表明,与 AMR 相比,三种 SMR 序列中的每一种的音节率都更高,这表明发音运动的轨迹在连续序列中不是实现更高音节率的关键。
SMR 序列相对于 AMR 序列的音节率优势不能用前者任务中包含的发音轨迹来解释,这表明 SMR 序列中通常包含的从前向后的运动(即 /pataka/ )对于实现更高的音节率并不是决定性的。