Paglione Licia
Department of Social and Political Sciences, Economics and Management, Istituto Universitario Sophia, Figline e Incisa Valdarno, Italy.
Front Sociol. 2024 Aug 9;9:1406156. doi: 10.3389/fsoc.2024.1406156. eCollection 2024.
The article contributes to the ongoing debates on the social value and sociological relevance of the arts by examining the intuitions of the Russian-American sociologist P. A. Sorokin (1889-1968) on the concept of "beauty" as a force akin to what he calls "Altruistic Creative Love", both potentially catalysing a process of "fraternisation of humanity". Starting from the author's sociological reflections on the relationship between "Altruistic Love" and "beauty" and an analytical model of "altruistic artistic social action," the article proposes the analysis of a specific social project named , promoted in Turin (Italy) by universities, public bodies and the third sector, which aims to foster the social inclusion of homeless people through participatory processes, discovering expressions of beauty with aesthetic and sociological relevance simultaneously, able to move social transformations.
本文通过审视俄裔美国社会学家P. A. 索罗金（1889 - 1968）关于“美”这一概念的直觉，为正在进行的关于艺术的社会价值和社会学相关性的辩论做出了贡献。索罗金认为“美”是一种类似于他所称的“利他创造性爱”的力量，二者都有可能催化“人类兄弟情谊化”的进程。本文从作者对“利他之爱”与“美”之间关系的社会学思考以及“利他艺术社会行动”的分析模型出发，对一个名为 的特定社会项目进行了分析。该项目由意大利都灵的大学、公共机构和第三部门推动，旨在通过参与过程促进无家可归者的社会融入，同时发现具有美学和社会学相关性的美之表达，进而推动社会变革。
