van Krieken Kobie, Das Enny
Centre for Language Studies, Radboud University, Nijmegen, The Netherlands.
Omega (Westport). 2024 Aug 29:302228241280311. doi: 10.1177/00302228241280311.
A set of sixty popular movies is analyzed both quantitatively and qualitatively on the role of death in the narrative structure and the portrayal of death. Results of the quantitative analysis show that death events tend to be story-terminating, which implies that death is typically depicted as meaningful in relation to the past. The qualitative thematic analysis reveals that death is also depicted as meaningful in that it can lead to growth, unification and salvation. Furthermore, most movies include explicit death portrayals, thereby inviting viewers to closely approach death and to simulate both their own mortality and the mortality of their loved ones. Finally, it was found that most movie deaths involve violent attacks, indicating that movies tend to paint an unrealistic view of how people die. These findings advance our knowledge of how movies might help people to understand the meaning of death and to cope with existential fears.
对一组60部热门电影进行了定量和定性分析,内容涉及死亡在叙事结构中的作用以及死亡的呈现方式。定量分析结果表明,死亡事件往往会终结故事,这意味着死亡通常被描绘为与过去相关且具有意义。定性主题分析显示,死亡也被描绘为具有意义,因为它可以带来成长、团结和救赎。此外,大多数电影都有明确的死亡呈现,从而促使观众近距离接触死亡,并模拟自己和所爱之人的死亡。最后发现,大多数电影中的死亡都涉及暴力袭击,这表明电影倾向于描绘出一种不现实的死亡方式。这些发现增进了我们对电影如何帮助人们理解死亡的意义以及应对生存恐惧的认识。