Li Hong, Xue Tao, Zhang Aijia, Luo Xuexing, Kong Lingqi, Huang Guanghui
Faculty of Humanities and Arts, Macau University of Science and Technology, Avenida Wai Long, Taipa, Macau, 999078, China.
Zhuhai M.U.S.T. Science and Technology Research Institute, Zhuhai, Guangdong, China.
Heliyon. 2024 Nov 4;10(21):e40037. doi: 10.1016/j.heliyon.2024.e40037. eCollection 2024 Nov 15.
In the field of graphic design, the application of Artificial Intelligence (AI) is reshaping the design process. This study employs the Critical Interpretive Synthesis (CIS) approach to explore the impacts and challenges of AI on graphic design. Through a comprehensive review of 33 papers, this research reveals four research paradigms of AI in graphic design: Artificial Intelligence Driven Design Automation and Generation (AIDAG), Artificial Intelligence Assisted Graphic Design and Image Processing (AGDIP), Artificial Intelligence in Art and Creative Design Processes (AACDP), and Artificial Intelligence Enhanced Visual Attention and Emotional Response Modeling (AVERM). These paradigms demonstrate the multidimensional role of AI in design, ranging from automation to emotional interaction. The findings suggest that AI serves a dual role as both a design tool and a medium for innovation. AI not only enhances the automation and efficiency of the design process but also fosters designers' creative thinking and understanding of users' emotional needs. This study also proposes a path for the application of the four paradigms in the graphic design process, providing effective design ideas for future design workflows.
在平面设计领域,人工智能(AI)的应用正在重塑设计流程。本研究采用批判性解释性综合(CIS)方法来探讨人工智能对平面设计的影响和挑战。通过对33篇论文的全面综述,本研究揭示了人工智能在平面设计中的四种研究范式:人工智能驱动的设计自动化与生成(AIDAG)、人工智能辅助平面设计与图像处理(AGDIP)、艺术与创意设计过程中的人工智能(AACDP)以及人工智能增强视觉注意力与情感反应建模(AVERM)。这些范式展示了人工智能在设计中的多维作用,从自动化到情感交互。研究结果表明,人工智能既作为设计工具又作为创新媒介发挥着双重作用。人工智能不仅提高了设计过程的自动化程度和效率,还促进了设计师的创造性思维以及对用户情感需求的理解。本研究还为这四种范式在平面设计过程中的应用提出了一条路径,为未来的设计工作流程提供了有效的设计思路。