Wollina Uwe, Hoenig Leonard J, Parish Lawrence Charles, Pierce Samantha E
Department of Dermatology and Allergology, Städtisches Klinikum Dresden, Dresden, Germany; Department of Dermatology, Venerology & Leprosy, Jawaharlal Nehru Medical College, Datta Meghe Institute of Higher Education & Research - Premier Deemed to be University, Wardha, Maharashtra, India.
Private Practice, Pembroke Pines, Florida, USA.
Clin Dermatol. 2025 Mar-Apr;43(2):296-299. doi: 10.1016/j.clindermatol.2025.01.002. Epub 2025 Jan 10.
The smile is a complex human facial expression, most commonly associated with joy. We present a detailed view on Leonardo Da Vinci's painting of Saint John the Baptist, between 1513 and 1516, which illustrates a smiling saint, which has evoked multiple explanations and theories. Discussing Da Vinci's concept of painting as science media and the two merely contradictory painting techniques chiaroscuro and sfumato, we attempt to approach this picture. Chiaroscuro is describing the strong contrasts between light and shadow, whereas sfumato represents another painting technique for softening the transition between colors. In the context of the positioning of John in the space, the closed smile shown in the picture, is possibly an expression of facing the Sacred.
微笑是一种复杂的人类面部表情,最常与喜悦相关联。我们详细探讨了列奥纳多·达·芬奇在1513年至1516年间创作的施洗者圣约翰的画作,画中的圣徒面带微笑,引发了多种解读和理论。通过讨论达·芬奇将绘画视为科学媒介的理念以及明暗对照法和晕涂法这两种看似矛盾的绘画技巧,我们试图解读这幅画作。明暗对照法描绘的是光影之间的强烈对比,而晕涂法则是另一种使色彩过渡柔和的绘画技巧。结合画中约翰在空间中的位置来看,他脸上紧闭的微笑可能是面对神圣之物的一种表现。