Safán-Gerard D
J Am Acad Psychoanal. 1985 Jan;13(1):129-38. doi: 10.1521/jaap.1.1985.13.1.129.
This has been an attempt to understand the alternation of chaos and control in the creative process. As a painting acquires a life of its own, the artist loses control over it but then and only then can he or she establish an enriching dialogue with it. When losing control leads to too much anxiety, the artist will attempt to gain control over the work but this excessive control will lead to a tight structure that will seem lifeless. At some point the artist will have to destroy this structure and create a new chaos in order to start afresh and to seek something of value in it. Milner, Segal, Winnicott and the work of other psychoanalytic writers, as it is pertinent to these ideas, was examined.
这是一次理解创作过程中混沌与控制交替的尝试。当一幅画作有了自己的生命力时,艺术家便失去了对它的控制,但只有在那时,他或她才能与这幅画建立起丰富的对话。当失去控制导致过多焦虑时,艺术家会试图重新掌控作品,但这种过度控制会导致作品结构僵化,显得毫无生气。在某个时刻,艺术家将不得不打破这种结构,创造新的混沌,以便重新开始,并从中探寻有价值的东西。我们审视了米尔纳、西格尔、温尼科特以及其他精神分析作家的作品,因为它们与这些观点相关。