Keitel Anne, Pelofi Claire, Guan Xinyi, Watson Emily, Wight Lucy, Allen Sarah, Mencke Iris, Keitel Christian, Rimmele Johanna
Department of Psychology, University of Dundee, Dundee, UK.
Department of Psychology, New York University, New York, New York, USA.
Ann N Y Acad Sci. 2025 Apr;1546(1):120-135. doi: 10.1111/nyas.15315. Epub 2025 Mar 18.
The cortical tracking of stimulus features is a crucial neural requisite of how we process continuous music. We here tested whether cortical tracking of the beat, typically related to rhythm processing, is modulated by pitch predictability and other top-down factors. Participants listened to tonal (high pitch predictability) and atonal (low pitch predictability) music while undergoing electroencephalography. We analyzed their cortical tracking of the acoustic envelope. Cortical envelope tracking was stronger while listening to atonal music, potentially reflecting listeners' violated pitch expectations and increased attention allocation. Envelope tracking was also stronger with more expertise and enjoyment. Furthermore, we showed cortical tracking of pitch surprisal (using IDyOM), which suggests that listeners' expectations match those computed by the IDyOM model, with higher surprisal for atonal music. Behaviorally, we measured participants' ability to finger-tap to the beat of tonal and atonal sequences in two experiments. Finger-tapping performance was better in the tonal condition, indicating a positive effect of pitch predictability on behavioral rhythm processing. Cortical envelope tracking predicted tapping performance for tonal music, as did pitch-surprisal tracking for atonal music, indicating that high and low predictability might impose different processing regimes. Taken together, our results show various ways that top-down factors impact musical rhythm processing.
对刺激特征的皮层追踪是我们处理连续音乐方式的关键神经要素。我们在此测试了通常与节奏处理相关的节拍皮层追踪是否受音高可预测性和其他自上而下因素的调节。参与者在进行脑电图检查时聆听调性音乐(高音高可预测性)和无调性音乐(低音高可预测性)。我们分析了他们对声音包络的皮层追踪。在聆听无调性音乐时,皮层包络追踪更强,这可能反映了听众被违背的音高期望以及注意力分配的增加。随着专业知识和愉悦感的增加,包络追踪也更强。此外,我们展示了对音高意外性的皮层追踪(使用IDyOM),这表明听众的期望与IDyOM模型计算出的期望相匹配,无调性音乐的意外性更高。在行为方面,我们在两个实验中测量了参与者跟随调性和无调性序列节拍进行手指敲击的能力。在调性条件下手指敲击表现更好,表明音高可预测性对行为节奏处理有积极影响。皮层包络追踪预测了调性音乐的敲击表现,无调性音乐的音高意外性追踪也如此,这表明高可预测性和低可预测性可能施加了不同的处理方式。综上所述,我们的结果展示了自上而下因素影响音乐节奏处理的多种方式。