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本体感受共鸣与多模态符号学:行动准备、具身认知与意义动态

Proprioceptive Resonance and Multimodal Semiotics: Readiness to Act, Embodied Cognition, and the Dynamics of Meaning.

作者信息

Sanna Marco

机构信息

Department of History, Human Sciences and Education, University of Sassari, 07100 Sassari, Italy.

出版信息

NeuroSci. 2025 May 12;6(2):42. doi: 10.3390/neurosci6020042.

Abstract

This paper proposes a theoretical model of meaning-making grounded in proprioceptive awareness and embodied imagination, arguing that human cognition is inherently multimodal, anticipatory, and sensorimotor. Drawing on Peircean semiotics, Lotman's model of cultural cognition, and current research in neuroscience, we show that readiness to act-a proprioceptively grounded anticipation of movement-plays a fundamental role in the emergence of meaning, from perception to symbolic abstraction. Contrary to traditional approaches that reduce language to a purely symbolic or visual system, we argue that meaning arises through the integration of sensory, motor, and affective processes, structured by axial proprioceptive coordinates (vertical, horizontal, sagittal). Using Peirce's triadic model of interpretants, we identify proprioception as the modulatory interface between sensory stimuli, emotional response, and logical reasoning. A study on skilled pianists supports this view, showing that mental rehearsal without physical execution improves performance via motor anticipation. We define this process as proprioceptive resonance, a dynamic synchronization of embodied states that enables communication, language acquisition, and social intelligence. This framework allows for a critique of linguistic abstraction and contributes to ongoing debates in semiotics, enactive cognition, and the origin of syntax, challenging the assumption that symbolic thought precedes embodied experience.

摘要

本文提出了一个基于本体感受觉知和具身想象的意义建构理论模型,认为人类认知本质上是多模态、预期性和感觉运动性的。借鉴皮尔斯符号学、洛特曼文化认知模型以及当前神经科学研究,我们表明行动准备——一种基于本体感受的运动预期——在从感知到符号抽象的意义产生过程中起着根本性作用。与将语言简化为纯粹符号或视觉系统的传统方法相反,我们认为意义通过感觉、运动和情感过程的整合而产生,这些过程由轴向本体感受坐标(垂直、水平、矢状)构建。利用皮尔斯的解释项三元模型,我们将本体感受确定为感觉刺激、情感反应和逻辑推理之间的调节界面。一项对熟练钢琴家的研究支持了这一观点,表明没有实际执行的心理排练通过运动预期提高了演奏水平。我们将这个过程定义为本体感受共鸣,即具身状态的动态同步,它能够实现交流、语言习得和社会智能。这个框架允许对语言抽象进行批判,并为符号学、生成认知和句法起源方面正在进行的辩论做出贡献,挑战了符号思维先于具身经验的假设。

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