Lamb James
University of Edinburgh, Edinburgh, UK.
Moray House School of Education and Sport, Holyrood Road, Edinburgh, EH8 8AQ UK.
Postdigit Sci Educ. 2023;5(2):277-297. doi: 10.1007/s42438-022-00319-y. Epub 2022 Jun 15.
As technologies are woven deep into the fabric of our postdigital society and universities, there is a need to devise new research methods, and to seek out new kinds of research material, in order to better understand our complex and changing surroundings. One such approach, I argue in this article, involves creating and analysing music playlists as a way of critically exploring the learning spaces and practices of higher education. To make this argument, I describe and discuss the ways that music playlists contributed towards an ethnographic study of undergraduate courses in Architecture and History at a UK university. This involved inviting students to participate in the creation of 'study playlists', as I sought to understand how their learning spaces and practices were affected by digital technologies. This approach initially helped to establish rapport and trust with participants, as well as eliciting conversation and interview discussion which surfaced how students use streamed playlists and other digital technologies to negotiate personalised learning spaces. By helping to reveal these and other rituals, the music playlist was shown to work as an ethnographic artefact, while at the same time exposing the postdigital character of the contemporary university.
随着技术深深融入我们后数字时代社会和大学的结构中,有必要设计新的研究方法,并寻找新的研究材料,以便更好地理解我们复杂多变的环境。我在本文中认为,一种这样的方法涉及创建和分析音乐播放列表,以此作为批判性探索高等教育学习空间和实践的一种方式。为了阐述这一观点,我描述并讨论了音乐播放列表对英国一所大学建筑和历史本科课程的人种志研究的贡献方式。这包括邀请学生参与创建“学习播放列表”,因为我试图了解他们的学习空间和实践是如何受到数字技术影响的。这种方法最初有助于与参与者建立融洽关系和信任,同时引发对话和访谈讨论,揭示学生如何使用流媒体播放列表和其他数字技术来构建个性化学习空间。通过帮助揭示这些及其他惯例,音乐播放列表被证明可作为一种人种志人工制品发挥作用,同时也揭示了当代大学的后数字特征。