Putturaj Meena, Jain Radhika
Centre of Adivasi Health, Institute of Public Health, 3009, II-A Main, 17th Cross, Krishna Rajendra Rd, Banashankari Stage II, Bengaluru, Karnataka 560070, India.
First Drop Change Foundation, B705, Brigade Metropolis, Garudacharpalya, Bengaluru, Karnataka 560048, India.
Health Policy Plan. 2025 Aug 18;40(7):809-815. doi: 10.1093/heapol/czaf038.
Stories and storytelling stimulate inquiries in health policy, and initiate and become an integral part of policy dialogues. They can also be used as a health policy advocacy tool. Storytelling is a compelling way to engage with various actors in the health policy realm, co-creating knowledge and action in the social world of health systems. Playback Theatre (PT) is an improvisational form of theatre in which audience members share their life stories, which are then enacted on the spot by a group of citizen actors. Citizen actors are everyday people who are not necessarily professional performers but are trained in PT. PT's emphasis on emotional expression and representation allows individuals to deeply engage with the stories of others, leading to greater empathy and understanding across diverse social groups. If applied with a critical consciousness, we argue that PT methodology can illuminate health policy and systems research storytelling processes, given its ontological and epistemological alignment with social constructivism and its orientation towards values such as human dignity and social justice. In this article, we explore the possibilities and the limits of PT for storytelling in the field of Health Policy and Systems Research, as it emphasises stories as much as the storyteller.
故事及讲故事能够激发对卫生政策的探究,并开启政策对话并成为其不可或缺的一部分。它们还可被用作卫生政策倡导工具。讲故事是一种引人入胜的方式,能让卫生政策领域的各类行为者参与其中,在卫生系统的社会世界中共同创造知识与行动。回放剧场(PT)是一种即兴戏剧形式,观众可分享他们的生活故事,然后由一群公民演员当场演绎。公民演员是普通人,不一定是专业表演者,但接受过回放剧场的培训。回放剧场对情感表达和呈现的强调使个人能够深入参与他人的故事,从而在不同社会群体间产生更强的同理心和理解。我们认为,如果以批判性意识应用,回放剧场方法能够阐明卫生政策和系统研究中的讲故事过程,因为它在本体论和认识论上与社会建构主义一致,且以人类尊严和社会正义等价值观为导向。在本文中,我们探讨回放剧场在卫生政策与系统研究领域进行讲故事的可能性与局限性,因为它既强调故事,也同样强调讲故事的人。