Glass L L
Psychiatry. 1984 Aug;47(3):260-78. doi: 10.1080/00332747.1984.11024247.
Hypermasculine character styles are commonly encountered in clinical practice, popular media imagery and, indeed, in everyday life. Such "hypermasculinity" is readily recognized as an exaggeration and distortion of traditionally masculine traits, and has been studied by Adler (1923), Freud (1937), Reich (1949), Ovesey (1969), and Stoller and Herdt (1982), among others. In this article, I will review those contributions and identify and elucidate two modal forms of hypermasculinity: the Man's Man and the Ladies' Man. I will argue that these two patterns constitute recognizable forms of character pathology with their own understandable developmental paradigms, intrapsychic conflicts and object ties. A developmentally based model for the evolution of hypermasculinity will be proposed, and the implications of these concepts explored.
超男性化的性格类型在临床实践、大众媒体形象中，甚至在日常生活中都很常见。这种“超男性化”很容易被视为对传统男性特质的夸大和扭曲，阿德勒（1923年）、弗洛伊德（1937年）、赖希（1949年）、奥维西（1969年）以及斯托勒和赫特（1982年）等人都对其进行过研究。在本文中，我将回顾这些研究成果，并识别和阐释超男性化的两种典型形式：纯爷们儿型和花花公子型。我将论证，这两种模式构成了可识别的性格病理形式，它们有着各自可理解的发展范式、心理内部冲突和客体关系。本文将提出一个基于发展的超男性化演变模型，并探讨这些概念的意义。
