Sumi S
Perception. 1984;13(3):283-6. doi: 10.1068/p130283.
In a film produced by Johansson, a group of moving spots, corresponding to lights attached to the main joints of a walker or a runner, gives instantly a vivid impression of a person walking or running. Even when this film was inverted and run backward, some sort of human movement was still perceived. It was perceived more frequently as an upright image of a person moving forward in a very strange manner than as an inverted image of a person moving backward. Such strangeness seemed to arise from the fact that the actor's arms were perceived as legs and vice versa. The phase relations typical of the Johansson pattern are therefore still present when the film is inverted and run backward, leading to the perception of biological motions though these motions are very strange.
在约翰松制作的一部影片中,一组移动的光点,对应着附着在步行者或跑步者主要关节上的灯光,能瞬间给人一种生动的有人在行走或跑步的印象。即使这部影片被倒放,人们仍然能感知到某种人类运动。相比将其视为向后移动的人的倒像,它更常被看作是以一种非常奇怪的方式向前移动的人的直立影像。这种奇怪感似乎源于这样一个事实,即演员的手臂被看作了腿,反之亦然。因此,当影片倒放时,约翰松模式典型的相位关系仍然存在,这就导致了尽管这些运动非常奇怪,但人们仍能感知到生物运动。