Struyf D
Acta Psychiatr Belg. 1983 Sep-Oct;83(5):443-50.
It is the look which creates theater, for the spectator as well as for the comedian. When this look does not exist anymore, the game disappears and the theater dies. In our work with patients, we have emphasized the representation, the look and the game. This is true for psychotic and neurotic patients, the working methods being however different. The director is there as guarantee of ethics of "well playing". He forces a door, but what lies behind does not concern him. To talk about his perception, his fantasies, has no room in the repetition. We think it is important that theater remains theater, respecting its own laws, and that it can only become therapeutic at this price. This work is dedicated to Claude Etienne who helped us to make our first steps in the theater.
正是这种眼神创造了戏剧，对观众和喜剧演员来说都是如此。当这种眼神不复存在时，游戏就消失了，戏剧也就消亡了。在我们与患者的工作中，我们强调了表现、眼神和游戏。这对精神病患者和神经症患者都是如此，不过工作方法有所不同。导演作为“良好表演”伦理的保障而存在。他强行打开一扇门，但门后是什么与他无关。谈论他的感知、他的幻想，在重复中没有空间。我们认为重要的是戏剧要保持其自身特性，尊重其自身规律，只有这样它才能成为具有治疗作用的戏剧。这部作品献给克劳德·艾蒂安，他帮助我们在戏剧领域迈出了第一步。
