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[通过双耳分听测试对音乐刺激的感知——对音乐专业大学生的研究]

[Perception of music stimuli by the Dichotic Listening Test--studies on college students making a specialty of music].

作者信息

Tasaki H

出版信息

No To Shinkei. 1982 Nov;34(11):1051-7.

PMID:7159537
Abstract

Nineteen right-handed college students making a specialty of music (9 males and 10 females), were tested in recognition of five kinds of dichotically presented stimuli; originally recorded tones, chords, rhythms, melodies and digits. The tests compared the abilities of each ear to recognize double auditory stimuli presented simultaneously to both ears. As for verbal stimuli, in the recognition of digits stimuli, right ear superiority was found. As for musical stimuli, in the rhythm tests, the mean scores for the right ear were significantly higher than for the left ear. In the melody tests, the right ear superiority was found. In the tone tests and chord tests, the mean scores for the two ears were nearly the same. As for sex differences, no significant differences between males and females in the recognition of five kinds of stimuli. In our last reports, we stated that the primary school and senior high school students belonging to the musical club were tested in the recognition of the same stimuli, and it was suggested that the right hemisphere was superior for melodic recognition and the left hemisphere was superior for rhythmic recognition. Compared with our last reports, it is suggested that there is a difference between musically inexpert individuals and expert ones on the perception of the melodic stimuli. In the early stage of musical training, the melodies are perceived as whole and gestalts and processed in the right hemisphere. By contrast, musically expert individuals perceives the melodies, breaking down tonal sequences and symbolizing. They process melodies in the left hemisphere. It is suggested that the specialization of the music brings the shift of hemispheric lateralization of the perception of melodies.

摘要

19名以音乐为专业的右利手大学生(9名男性和10名女性)接受了对五种双耳呈现刺激的识别测试;最初录制的音调、和弦、节奏、旋律和数字。这些测试比较了每只耳朵识别同时呈现给双耳的双重听觉刺激的能力。对于言语刺激,在数字刺激的识别中,发现右耳优势。对于音乐刺激,在节奏测试中,右耳的平均得分显著高于左耳。在旋律测试中,发现右耳优势。在音调测试和弦测试中,两只耳朵的平均得分几乎相同。至于性别差异,在五种刺激的识别中,男性和女性之间没有显著差异。在我们之前的报告中,我们指出对属于音乐俱乐部的小学生和高中生进行了相同刺激的识别测试,结果表明右半球在旋律识别方面占优势,而左半球在节奏识别方面占优势。与我们之前的报告相比,这表明在旋律刺激的感知方面,音乐不熟练的个体和熟练的个体之间存在差异。在音乐训练的早期阶段,旋律被视为整体和格式塔,并在右半球进行处理。相比之下,音乐熟练的个体感知旋律时,会分解音调序列并进行符号化。他们在左半球处理旋律。这表明音乐专业化导致了旋律感知的半球侧化转移。

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