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患有职业性痉挛/局灶性肌张力障碍的音乐家的生物力学异常。

Biomechanical abnormalities in musicians with occupational cramp/focal dystonia.

作者信息

Wilson F R, Wagner C, Hömberg V

机构信息

Department of Neurology, Heinrich Heine University, Düsseldorf, Federal Republic of Germany.

出版信息

J Hand Ther. 1993 Oct-Dec;6(4):298-307. doi: 10.1016/s0894-1130(12)80331-0.

Abstract

Occupational factors and peripheral injuries are frequently implicated in the development of hand cramps and the syndrome of persistent manual incoordination among musicians and others most commonly given a diagnosis of focal limb dystonia. In an attempt to gain insight into the character and influence of risk factors in the evolution of this disorder, the authors conducted detailed evaluations of 33 individuals who responded to a questionnaire sent to university- and conservatory-level music schools in Germany in September 1989. Response was invited from any musician with complaints of impaired hand control. Of the 33 individuals accepted for evaluation, 18 were musicians who met clinical criteria for the diagnosis of occupational cramp/focal dystonia (OC/FD). Nineteen of the original 33 subjects underwent a quantitative biochemical assessment, comparing active and passive ranges of motion at all joints below the shoulder with those for cohorts of unimpaired musicians, matched for gender and musical instrument. Of the 19 tested biomechanically, 14 had OC/FD and the remaining five had either persistent pain or nonspecific movement idiosyncracies interfering with playing. Compared with the matched groups of normals, no consistent biomechanical abnormality was found in the non-OC/FD group; in the OC/FD group two thirds had marked limitation of passive and/or active abduction range between the central digits of both hands. Based on detailed training and performance histories in these subjects, the authors conclude that a specific biomechanical condition in the hand can interfere with certain high-speed digital movements required in musical instrument performance. Unintended muscle synergies, postures, and movement patterns can develop as attempts are made to increase the speed and fluency of such movements. As rehearsal is intensified, degraded movements are stabilized ("programmed"). In this situation, OC/FD appears to represent an aberrant outcome of normal motor learning whose physiologic correlates mimic neuropathologically based dystonia. The implications for prevention are discussed.

摘要

职业因素和外周损伤常与音乐家及其他常被诊断为局灶性肢体肌张力障碍的人群中手部痉挛和持续性手部运动不协调综合征的发生有关。为深入了解该疾病演变过程中危险因素的特征和影响,作者对33名个体进行了详细评估,这些个体是对1989年9月发送至德国大学和音乐学院的问卷做出回应的。问卷邀请了任何有手部控制受损抱怨的音乐家。在接受评估的33名个体中,18名是符合职业性痉挛/局灶性肌张力障碍(OC/FD)临床诊断标准的音乐家。最初的33名受试者中有19名接受了定量生化评估,将肩部以下所有关节的主动和被动活动范围与未受损音乐家的队列进行比较,这些未受损音乐家在性别和乐器方面相匹配。在接受生物力学测试的19名受试者中,14名患有OC/FD,其余5名有持续性疼痛或非特异性运动特质干扰演奏。与匹配的正常组相比,非OC/FD组未发现一致的生物力学异常;在OC/FD组中,三分之二的人双手中间手指之间的被动和/或主动外展范围明显受限。基于这些受试者详细的训练和演奏历史,作者得出结论,手部特定的生物力学状况会干扰乐器演奏中所需的某些高速手指运动。当试图提高此类运动的速度和流畅性时,会出现意外的肌肉协同作用、姿势和运动模式。随着排练强度增加,退化的运动得以稳定(“编程”)。在这种情况下,OC/FD似乎代表了正常运动学习的异常结果,其生理相关性模仿基于神经病理学的肌张力障碍。文中还讨论了预防的意义。

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