van Egmond R, Povel D J, Maris E
Nijmegen Institute for Cognition and Information, University of Nijmegen, The Netherlands.
Percept Psychophys. 1996 Nov;58(8):1252-9. doi: 10.3758/bf03207557.
In two experiments, the perceptual similarity between a strong tonal melody and various transpositions was investigated using a paradigm in which listeners compared the perceptual similarity of a melody and its transposition with that of the same melody and another transposition. The paradigm has the advantage that it provides a direct judgment regarding the similarity of transposed melodies. The experimental results indicate that the perceptual similarity of a strong tonal melody and its transposition is mainly determined by two factors: (1) the distance on the height dimension between the original melody and its transposition (pitch distance), and (2) the distance between keys as inferred from the circle of fifths (key distance). The major part of the variance is explained by the factor pitch distance, whereas key distance explains only a small part.
在两项实验中,使用一种范式对强音调旋律与各种移调之间的感知相似性进行了研究。在该范式中,听众将旋律及其移调的感知相似性与同一旋律和另一种移调的感知相似性进行比较。该范式的优点在于它能对移调旋律的相似性提供直接判断。实验结果表明,强音调旋律与其移调的感知相似性主要由两个因素决定:(1)原始旋律与其移调在音高维度上的距离(音高距离),以及(2)从五度圈推断出的调之间的距离(调距离)。方差的主要部分由音高距离因素解释,而调距离仅解释一小部分。