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音乐表演。

Music performance.

作者信息

Palmer C

机构信息

Department of Psychology, Ohio State University, Columbus 43210, USA.

出版信息

Annu Rev Psychol. 1997;48:115-38. doi: 10.1146/annurev.psych.48.1.115.

Abstract

Music performance provides a rich domain for study of both cognitive and motor skills. Empirical research in music performance is summarized, with particular emphasis on factors that contribute to the formation of conceptual interpretations, retrieval from memory of musical structures, and transformation into appropriate motor actions. For example, structural and emotional factors that contribute to performers' conceptual interpretations are considered. Research on the planning of musical sequences for production is reviewed, including hierarchical and associative retrieval influences, style-specific syntactic influences, and constraints on the range of planning. The fine motor control evidenced in music performance is discussed in terms of internal timekeeper models, motor programs, and kinematic models. The perceptual consequences of music performance are highlighted, including the successful communication of interpretations, resolution of structural ambiguities, and concordance with listeners' expectations. Parallels with other domains support the conclusion that music performance is not unique in its underlying cognitive mechanisms.

摘要

音乐表演为研究认知和运动技能提供了一个丰富的领域。本文总结了音乐表演的实证研究,特别强调了有助于形成概念性诠释、从记忆中检索音乐结构以及转化为适当运动动作的因素。例如,考虑了有助于表演者进行概念性诠释的结构和情感因素。回顾了关于音乐序列生成规划的研究,包括层次和联想检索影响、特定风格的句法影响以及规划范围的限制。从内部计时模型、运动程序和运动学模型的角度讨论了音乐表演中所体现的精细运动控制。强调了音乐表演的感知结果,包括诠释的成功传达、结构歧义的解决以及与听众期望的契合。与其他领域的相似之处支持了这样的结论:音乐表演在其潜在的认知机制方面并非独一无二。

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