Lechevalier B
Service de Neurologie, CHU de Caen.
Bull Acad Natl Med. 1997 Jun-Jul;181(6):1191-9; discussion 1199-200.
The perception of music is not a single global process. It encompasses the integration into conscience of various elements, such as sound pitch, tone, rhythm and impression of familiarity. Thus, it may be subjected to cognitive studies based on specific and complementary abilities of both cerebral hemispheres in these tasks. A number of selected medical cases reported previously had already suggested anatomic-clinical correlations for the perception of the various components of musical sounds. The left hemisphere subserves rhythm and pitch perception, the sense of familiarity and identification of a musical piece. The right hemisphere plays a part in the perception of tone and melodic line. Position emission tomographic studies in normal subjects have corroborated these assumptions on hemispheric lateralization in musical perception. In addition, they have demonstrated previously unsuspected facts, such as the role of visual areas in pitch perception and the role of frontal cortex and especially of Broca's area in the perception of rhythm.
对音乐的感知并非一个单一的整体过程。它包括将各种元素,如音高、音调、节奏和熟悉感等整合到意识之中。因此,基于大脑两半球在这些任务中的特定且互补的能力,它可能会接受认知研究。先前报道的一些选定医学病例已经暗示了音乐声音各组成部分感知的解剖学与临床相关性。左半球负责节奏和音高感知、熟悉感以及对一首乐曲的识别。右半球在音调及旋律线的感知中发挥作用。对正常受试者进行的正电子发射断层扫描研究证实了这些关于音乐感知中半球侧化的假设。此外,它们还揭示了一些先前未被怀疑的事实,比如视觉区域在音高感知中的作用,以及额叶皮质尤其是布洛卡区在节奏感知中的作用。