Spillmann L
Perception. 1997;26(11):1341-52. doi: 10.1068/p261341.
This overview takes the reader from the classical contrast and assimilation studies of the past to today's colour research, in a broad sense, with its renewed emphasis on the phenomenological qualities of visual perception. It shows how the shift in paradigm from local to global effects in single-unit recordings prompted a reappraisal of appearance in visual experiments, not just in colour, but in the perception of motion, texture, and depth as well. Gestalt ideas placed in the context of modern concepts are shown to inspire psychophysicists, neurophysiologists, and computational vision scientists alike. Feedforward, horizontal interactions, and feedback are discussed as potential neuronal mechanisms to account for phenomena such as uniform surfaces, filling-in, and grouping arising from processes beyond the classical receptive field. A look forward towards future developments in the field of figure-ground segregation (Gestalt formation) concludes the article.
本综述带领读者从过去的经典对比和同化研究,广义地讲到当今的色彩研究,如今它再次强调视觉感知的现象学特质。它展示了在单神经元记录中从局部效应到全局效应的范式转变如何促使人们重新评估视觉实验中的外观,不仅是颜色方面,还有运动、纹理和深度感知等方面。置于现代概念背景下的格式塔思想被证明能启发心理物理学家、神经生理学家以及计算视觉科学家。前馈、水平相互作用和反馈被作为潜在的神经元机制进行讨论,以解释诸如均匀表面、填充和由经典感受野之外的过程产生的分组等现象。文章最后展望了图形 - 背景分离(格式塔形成)领域的未来发展。