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变异性、局限性与创造力。解读克劳德·莫奈

Variability, constraints, and creativity. Shedding light on Claude Monet.

作者信息

Stokes P D

机构信息

Psychology Department, Barnard College, Columbia University, 3009 Broadway, New York, NY 10023, USA.

出版信息

Am Psychol. 2001 Apr;56(4):355-9.

Abstract

Recent experimental research suggests 2 things. The first is that along with learning how to do something, people also learn how variably or differently to continue doing it. The second is that high variability is maintained by constraining, precluding a currently successful, often repetitive solution to a problem. In this view, Claude Monet's habitually high level of variability in painting was acquired during his childhood and early apprenticeship and was maintained throughout his adult career by a continuous series of task constraints imposed by the artist on his own work. For Monet, variability was rewarded and rewarding.

摘要

最近的实验研究表明两件事。其一,人们在学习如何做某件事的同时,也在学习如何以不同方式或有所变化地继续做这件事。其二,高变异性是通过约束来维持的,即排除当前成功的、通常是重复性的问题解决方案。按照这种观点,克劳德·莫奈在绘画中习惯性的高变异性是在他童年和早期学徒生涯中习得的,并在其整个成年职业生涯中,通过艺术家对自身作品持续施加的一系列任务约束得以保持。对莫奈来说,变异性既有回报,也能带来满足感。

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