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从头部定向到手部控制:颈部和前庭参与手部绘画的证据。

From head orientation to hand control: evidence of both neck and vestibular involvement in hand drawing.

作者信息

Guerraz Michel, Blouin Jean, Vercher Jean-Louis

机构信息

UMR Mouvement and Perception, CNRS et Université de la Méditerranée, 163 avenue de Luminy, Case Postale 910, 13288 Marseille Cedex 9, France.

出版信息

Exp Brain Res. 2003 May;150(1):40-9. doi: 10.1007/s00221-003-1411-y. Epub 2003 Mar 21.

Abstract

This research investigated the effect of head to trunk relation in a sensorimotor drawing task. In the first experiment, seated participants were asked to reproduce with eyes closed geometric shapes (square or diamond) with the tip of their right index finger in the frontoparallel plane. Their head was either aligned with the trunk or tilted 25 degrees towards the left or right shoulder. Results showed that drawings were subjected to an overall rotation of a few degrees in the opposite direction to the tilt. In two subsequent experiments, the respective contribution of both otoliths and neck receptors to this head tilt effect was investigated. In Experiment 2, seated participants kept their head straight but were subjected to 2.5 mA vestibular galvanic stimulation (GVS). Results indicated that GVS induced a small but significant deviation of the drawings towards the anode. Finally, in Experiment 3, subjects performed the drawing task either seated upright (seated condition) or lying on their back (supine condition). Unlike in the seated condition, tilting the head towards the shoulders in a supine posture does not modulate afferents from the otolith stimulation and therefore mainly stimulates neck receptors. Head tilt induced rotations of hand-drawn reproductions in both seated and supine conditions, suggesting a significant contribution of neck afferents in the control of hand motion in space in the absence of vision. Overall the data provided evidence for a strong head-hand linkage during kinaesthetically guided drawing movements.

摘要

本研究调查了在感觉运动绘图任务中头与躯干关系的影响。在第一个实验中,要求坐着的参与者闭上眼睛,用右手食指尖端在额状面内重现几何形状(正方形或菱形)。他们的头部要么与躯干对齐,要么向左或右肩倾斜25度。结果表明,绘图会朝着与倾斜方向相反的方向整体旋转几度。在随后的两个实验中,研究了耳石和颈部感受器对这种头部倾斜效应的各自贡献。在实验2中,坐着的参与者保持头部挺直,但接受2.5毫安的前庭电刺激(GVS)。结果表明,GVS导致绘图向阳极方向出现小但显著的偏差。最后,在实验3中,受试者要么坐着直立(坐姿),要么仰卧(仰卧姿势)进行绘图任务。与坐姿不同,仰卧姿势下头部向肩部倾斜不会调节来自耳石刺激的传入信号,因此主要刺激颈部感受器。在坐姿和仰卧姿势下,头部倾斜都会引起手绘复制品的旋转,这表明在没有视觉的情况下,颈部传入信号在控制手部在空间中的运动方面有显著贡献。总体而言,这些数据为动觉引导绘图运动期间强大的头手联系提供了证据。

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