Warren J D, Uppenkamp S, Patterson R D, Griffiths T D
Wellcome Department of Imaging Neuroscience, Institute of Neurology, Queen Square, London WCIN 3BG, UK.
Proc Natl Acad Sci U S A. 2003 Aug 19;100(17):10038-42. doi: 10.1073/pnas.1730682100. Epub 2003 Aug 8.
Musicians recognize pitch as having two dimensions. On the keyboard, these are illustrated by the octave and the cycle of notes within the octave. In perception, these dimensions are referred to as pitch height and pitch chroma, respectively. Pitch chroma provides a basis for presenting acoustic patterns (melodies) that do not depend on the particular sound source. In contrast, pitch height provides a basis for segregation of notes into streams to separate sound sources. This paper reports a functional magnetic resonance experiment designed to search for distinct mappings of these two types of pitch change in the human brain. The results show that chroma change is specifically represented anterior to primary auditory cortex, whereas height change is specifically represented posterior to primary auditory cortex. We propose that tracking of acoustic information streams occurs in anterior auditory areas, whereas the segregation of sound objects (a crucial aspect of auditory scene analysis) depends on posterior areas.
音乐家们认识到音高有两个维度。在键盘上,这两个维度由八度音程和八度音程内的音符循环来体现。在感知中,这两个维度分别被称为音高高度和音高色度。音高色度为呈现不依赖于特定声源的声学模式(旋律)提供了基础。相比之下,音高高度为将音符分离成不同的流以区分声源提供了基础。本文报告了一项功能磁共振实验,旨在探寻这两种音高变化在人脑中的不同映射。结果表明,色度变化在初级听觉皮层前方有特定表征,而高度变化在初级听觉皮层后方有特定表征。我们提出,声学信息流的追踪发生在听觉前部区域,而声音对象的分离(听觉场景分析的一个关键方面)则依赖于后部区域。