Kuner N, Hartschuh W
Universitäts-Hautklinik Heidelberg.
Hautarzt. 2003 Aug;54(8):760-4. doi: 10.1007/s00105-003-0541-2. Epub 2003 May 27.
Photographic images are an intrinsic part of modern dermatology, essential for documentation, publication and teaching. Although there were no strong technical obstacles to prevent the use of black and white photographs in the atlases of the late 19th century, famous works such as Kaposi's "Handatlas der Hautkrankheiten" still utilized hand-colored copper etchings for illustration. Nevertheless, M.A. Hardy and M.A. de Montméja made an effort to introduce photography into dermatology as early as 1868. In their "Clinique photographique de l'hôpital Saint-Louis" of 1868 we find a variety of dermatological diseases, discussed and illustrated with 50 black and white photographs. The majority of these pictures were then modified with hand coloring in various shades of intensity. The authors insisted on this technique to assure the diagnostic value of the pictures. Besides an extensive review of the Atlas, we discuss the limits and perspectives of early photographic images in the "Clinique photographique" compared to the detailed hand-colored copper etchings of that time, as well as to modern color photographs.
摄影图像是现代皮肤病学的一个固有组成部分,对记录、出版和教学至关重要。尽管在19世纪后期的图谱中使用黑白照片没有强大的技术障碍,但像卡波西的《皮肤病手部图谱》这样的著名作品仍使用手工上色的铜版画进行插图。然而,早在1868年,M.A. 哈迪和M.A. 德蒙特梅亚就努力将摄影引入皮肤病学。在他们1868年的《圣路易医院摄影临床》中,我们看到了各种皮肤病,并用50张黑白照片进行了讨论和说明。这些照片中的大多数随后都用不同深浅程度的手工上色进行了修改。作者坚持这种技术以确保照片的诊断价值。除了对该图谱进行广泛回顾外,我们还将《摄影临床》中早期摄影图像的局限性和前景与当时详细的手工上色铜版画以及现代彩色照片进行了比较。