• 文献检索
  • 文档翻译
  • 深度研究
  • 学术资讯
  • Suppr Zotero 插件Zotero 插件
  • 邀请有礼
  • 套餐&价格
  • 历史记录
应用&插件
Suppr Zotero 插件Zotero 插件浏览器插件Mac 客户端Windows 客户端微信小程序
定价
高级版会员购买积分包购买API积分包
服务
文献检索文档翻译深度研究API 文档MCP 服务
关于我们
关于 Suppr公司介绍联系我们用户协议隐私条款
关注我们

Suppr 超能文献

核心技术专利:CN118964589B侵权必究
粤ICP备2023148730 号-1Suppr @ 2026

文献检索

告别复杂PubMed语法,用中文像聊天一样搜索,搜遍4000万医学文献。AI智能推荐,让科研检索更轻松。

立即免费搜索

文件翻译

保留排版,准确专业,支持PDF/Word/PPT等文件格式,支持 12+语言互译。

免费翻译文档

深度研究

AI帮你快速写综述,25分钟生成高质量综述,智能提取关键信息,辅助科研写作。

立即免费体验

模拟声源的心理力学:受冲击棒的材料特性

The psychomechanics of simulated sound sources: material properties of impacted bars.

作者信息

McAdams Stephen, Chaigne Antoine, Roussarie Vincent

机构信息

Institut de Recherche et Coordination Acoustique/Musique (SMTS-Ircam-CNRS), 1 place Igor Stravinsky, F-75004 Paris, France.

出版信息

J Acoust Soc Am. 2004 Mar;115(3):1306-20. doi: 10.1121/1.1645855.

DOI:10.1121/1.1645855
PMID:15058353
Abstract

Sound can convey information about the materials composing an object that are often not directly available to the visual system. Material and geometric properties of synthesized impacted bars with a tube resonator were varied, their perceptual structure was inferred from multidimensional scaling of dissimilarity judgments, and the psychophysical relations between the two were quantified. Constant cross-section bars varying in mass density and viscoelastic damping coefficient were synthesized with a physical model in experiment 1. A two-dimensional perceptual space resulted, and the dimensions were correlated with the mechanical parameters after applying a power-law transformation. Variable cross-section bars varying in length and viscoelastic damping coefficient were synthesized in experiment 2 with two sets of lengths creating high- and low-pitched bars. In the low-pitched bars, there was a coupling between the bar and the resonator that modified the decay characteristics. Perceptual dimensions again corresponded to the mechanical parameters. A set of potential temporal, spectral, and spectrotemporal correlates of the auditory representation were derived from the signal. The dimensions related to mass density and bar length were correlated with the frequency of the lowest partial and are related to pitch perception. The correlate most likely to represent the viscoelastic damping coefficient across all three stimulus sets is a linear combination of a decay constant derived from the temporal envelope and the spectral center of gravity derived from a cochlear representation of the signal. These results attest to the perceptual salience of energy-loss phenomena in sound source behavior.

摘要

声音可以传达有关构成物体的材料的信息,而这些信息往往是视觉系统无法直接获取的。改变了带有管状谐振器的合成撞击棒的材料和几何属性,通过对差异判断进行多维标度来推断其感知结构,并对两者之间的心理物理关系进行了量化。在实验1中,使用物理模型合成了质量密度和粘弹性阻尼系数不同的等截面棒。得到了一个二维感知空间,在应用幂律变换后,这些维度与机械参数相关。在实验2中,合成了长度和粘弹性阻尼系数不同的变截面棒,两组长度分别产生了高音和低音棒。在低音棒中,棒与谐振器之间存在耦合,这改变了衰减特性。感知维度再次与机械参数相对应。从信号中导出了一组听觉表征的潜在时间、频谱和频谱时间相关因素。与质量密度和棒长度相关的维度与最低谐波的频率相关,并且与音高感知有关。在所有三个刺激组中最有可能代表粘弹性阻尼系数的相关因素是由时间包络导出的衰减常数和由信号的耳蜗表征导出的频谱重心的线性组合。这些结果证明了声源行为中能量损失现象的感知显著性。

相似文献

1
The psychomechanics of simulated sound sources: material properties of impacted bars.模拟声源的心理力学:受冲击棒的材料特性
J Acoust Soc Am. 2004 Mar;115(3):1306-20. doi: 10.1121/1.1645855.
2
The psychomechanics of simulated sound sources: material properties of impacted thin plates.模拟声源的心理力学:撞击薄板的材料特性。
J Acoust Soc Am. 2010 Sep;128(3):1401-13. doi: 10.1121/1.3466867.
3
Perception of musical timbre by cochlear implant listeners: a multidimensional scaling study.人工耳蜗使用者对音乐音色的感知:多维标度研究。
Ear Hear. 2013 Jul-Aug;34(4):426-36. doi: 10.1097/AUD.0b013e31827535f8.
4
Acoustic structure of the five perceptual dimensions of timbre in orchestral instrument tones.管弦乐器音色五个感知维度的声学结构。
J Acoust Soc Am. 2013 Jan;133(1):389-404. doi: 10.1121/1.4770244.
5
The representation of auditory source characteristics: simple geometric form.
Percept Psychophys. 1997 Nov;59(8):1180-90. doi: 10.3758/bf03214206.
6
Sensory constraints on auditory identification of the material and geometric properties of struck bars.敲击杆的材料和几何属性的听觉识别的感觉限制。
J Acoust Soc Am. 2010 Jan;127(1):350-60. doi: 10.1121/1.3263606.
7
Acoustic correlates of timbre space dimensions: a confirmatory study using synthetic tones.音色空间维度的声学关联:一项使用合成音的验证性研究。
J Acoust Soc Am. 2005 Jul;118(1):471-82. doi: 10.1121/1.1929229.
8
A common perceptual space for harmonic and percussive timbres.谐波音色与打击乐音色的共同感知空间。
Percept Psychophys. 2000 Oct;62(7):1426-39. doi: 10.3758/bf03212144.
9
Sound quality assessment of wood for xylophone bars.木琴琴键用木材的音质评估。
J Acoust Soc Am. 2007 Apr;121(4):2407-20. doi: 10.1121/1.2697154.
10
The use of multidimensional perceptual models in the selection of sonar echo features.多维感知模型在声纳回波特征选择中的应用。
J Acoust Soc Am. 1985 Mar;77(3):1178-84. doi: 10.1121/1.392182.

引用本文的文献

1
Investigation of an MAA Test With Virtual Sound Synthesis.虚拟声音合成的MAA测试研究。
Front Psychol. 2021 Jun 2;12:656052. doi: 10.3389/fpsyg.2021.656052. eCollection 2021.
2
When music is salty: The crossmodal associations between sound and taste.当音乐有了“咸味”:声音与味道之间的跨通道关联
PLoS One. 2017 Mar 29;12(3):e0173366. doi: 10.1371/journal.pone.0173366. eCollection 2017.
3
Metal Sounds Stiffer than Drums for Ears, but Not Always for Hands: Low-Level Auditory Features Affect Multisensory Stiffness Perception More than High-Level Categorical Information.
金属声对耳朵来说比鼓声更生硬,但对双手而言并非总是如此:低层次听觉特征比高层次类别信息对多感官硬度感知的影响更大。
PLoS One. 2016 Nov 30;11(11):e0167023. doi: 10.1371/journal.pone.0167023. eCollection 2016.
4
Acoustic and Categorical Dissimilarity of Musical Timbre: Evidence from Asymmetries Between Acoustic and Chimeric Sounds.音乐音色的声学与类别差异:来自声学与嵌合声音不对称性的证据
Front Psychol. 2016 Jan 5;6:1977. doi: 10.3389/fpsyg.2015.01977. eCollection 2015.
5
The production and perception of emotionally expressive walking sounds: similarities between musical performance and everyday motor activity.情感表达性行走声音的产生与感知:音乐表演与日常运动活动的相似之处。
PLoS One. 2014 Dec 31;9(12):e115587. doi: 10.1371/journal.pone.0115587. eCollection 2014.
6
Neural and behavioral investigations into timbre perception.关于音色感知的神经与行为学研究。
Front Syst Neurosci. 2013 Nov 13;7:88. doi: 10.3389/fnsys.2013.00088.
7
Discrimination of the spectral density of multitone complexes.多音复合体的谱密度判别。
J Acoust Soc Am. 2011 Nov;130(5):2882-90. doi: 10.1121/1.3647302.
8
Modeling manner of contact in the synthesis of impact sounds for perceptual research.为感知研究合成冲击声音时的接触方式建模。
J Acoust Soc Am. 2011 Aug;130(2):EL62-8. doi: 10.1121/1.3609919.
9
Auditory discrimination of force of impact.听觉对撞击力的辨别。
J Acoust Soc Am. 2011 Apr;129(4):2104-11. doi: 10.1121/1.3543969.
10
Vowel constrictions are recoverable from formants.元音收缩可以从共振峰中恢复。
J Phon. 2010 Jul 1;38(3):375-387. doi: 10.1016/j.wocn.2010.03.002.