Caclin Anne, McAdams Stephen, Smith Bennett K, Winsberg Suzanne
Institut de Recherche et Coordination Acoustique/Musique (STMS-IRCAM-CNRS), 1 place Igor Stravinsky, F-75004 Paris, France.
J Acoust Soc Am. 2005 Jul;118(1):471-82. doi: 10.1121/1.1929229.
Timbre spaces represent the organization of perceptual distances, as measured with dissimilarity ratings, among tones equated for pitch, loudness, and perceived duration. A number of potential acoustic correlates of timbre-space dimensions have been proposed in the psychoacoustic literature, including attack time, spectral centroid, spectral flux, and spectrum fine structure. The experiments reported here were designed as direct tests of the perceptual relevance of these acoustical parameters for timbre dissimilarity judgments. Listeners presented with carefully controlled synthetic tones use attack time, spectral centroid, and spectrum fine structure in dissimilarity rating experiments. These parameters thus appear as major determinants of timbre. However, spectral flux appears as a less salient timbre parameter, its salience depending on the number of other dimensions varying concurrently in the stimulus set. Dissimilarity ratings were analyzed with two different multidimensional scaling models (CLASCAL and CONSCAL), the latter providing psychophysical functions constrained by the physical parameters. Their complementarity is discussed.
音色空间代表了在音高、响度和感知时长相等的音调之间,通过差异评级测量得到的感知距离的组织方式。心理声学文献中已经提出了一些音色空间维度的潜在声学相关因素,包括起始时间、频谱中心、频谱通量和频谱精细结构。此处报告的实验旨在直接测试这些声学参数与音色差异判断的感知相关性。在差异评级实验中,听众在面对精心控制的合成音调时,会使用起始时间、频谱中心和频谱精细结构。因此,这些参数似乎是音色的主要决定因素。然而,频谱通量似乎是一个不太显著的音色参数,其显著性取决于刺激集中同时变化的其他维度的数量。使用两种不同的多维标度模型(CLASCAL和CONSCAL)对差异评级进行了分析,后者提供了受物理参数约束的心理物理函数。讨论了它们的互补性。