Esman Aaron H
New York, NY 10028-1057, USA.
Int J Psychoanal. 2004 Aug;85(Pt 4):923-33. doi: 10.1516/0020757041557520.
Ernst Kris, a gifted art historian as well as an eminent psychoanalyst, had little regard for the aesthetic value of the spontaneous artistic products of the mentally ill, considering them to be of interest only for the insight they might provide about the patient's psychopathology and unconscious conflicts. Recent scholarship and developments in the art world warrant a critical review of his position, which appears to have derived from his adherence to classical and Renaissance criteria. The works of two untrained and psychiatrically disturbed artists are offered as evidence of their potential aesthetic worth.
恩斯特·克里斯既是一位有天赋的艺术史学家,也是一位杰出的精神分析学家,他对精神病患者自发创作的艺术作品的美学价值评价不高,认为这些作品仅因其可能提供的有关患者精神病理学和无意识冲突的见解而具有研究价值。艺术界最近的学术研究和发展促使人们对他的观点进行批判性审视,他的观点似乎源于他对古典和文艺复兴时期标准的坚持。本文展示了两位未经训练且患有精神疾病的艺术家的作品,以证明其潜在的美学价值。