Hildebrand R
Westfälische Wilhelms-Universität Münster, Institut für Anatomie.
Sudhoffs Arch. 1992;76(1):1-27.
In Bourgery's and Jacob's "Traité complet de l'anatomie de l'homme", Paris 1831-1854, the révolution Davidienne had been introduced into the plates of anatomical atlasses. Unlike the Vesalian tradition of representation this demarcation against an old world provided a new picture of man in medical illustration. The cultural development taking us to this point is discussed against the background of converging movements in art and medicine in late 18th century France evolving sovereign man as a modern individual.
在布尔热里和雅各布于1831年至1854年在巴黎出版的《人体解剖学全论》中，“大卫派革命”被引入了解剖学图谱的板块。与维萨里式的表现传统不同，这种与旧世界的划分在医学插图中呈现出了一幅全新的人体图景。在18世纪晚期法国艺术与医学的趋同运动背景下，探讨了引领我们走到这一步的文化发展，这些运动将主权人塑造为现代个体。
