Burke Janine
Monash University, Clayton, Australien.
Luzif Amor. 2006;19(37):30-42.
In Freud's art collection, the myth of Oedipus, a central tenet of psychoanalysis, is represented by several Greek statues and vases, as well as a reproduction of Ingres' painting. Originally a protective male Egyptian deity, in Greek myth, the Sphinx was female and associated with death. In addition, Freud had sculptures of Medusa the Gorgon, a terrifying winged female, and of provocative Baubo, both also figuring in his writings. By describing these works of art and some of their mythological ramifications, the author suggests that they represented aspects of feminity not really covered by Freud's theories.
在弗洛伊德的艺术收藏中,俄狄浦斯神话这一精神分析的核心信条,通过几尊希腊雕像、花瓶以及安格尔画作的复制品得以体现。斯芬克斯最初是埃及的男性保护神,在希腊神话中则是女性,且与死亡相关。此外,弗洛伊德还有蛇发女妖美杜莎的雕塑,这是一个可怕的有翼女性,以及具有挑逗性的芭波的雕塑,这两者也在他的著作中有所提及。通过描述这些艺术品及其一些神话衍生内容,作者暗示它们代表了弗洛伊德理论未真正涵盖的女性特质方面。