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经过12个月训练后学生演员声音的声学变化。

Acoustic changes in student actors' voices after 12 months of training.

作者信息

Walzak Peta, McCabe Patricia, Madill Cate, Sheard Christine

机构信息

School of Communication Sciences & Disorders, University of Sydney, Lidcombe, NSW, Australia.

出版信息

J Voice. 2008 May;22(3):300-13. doi: 10.1016/j.jvoice.2006.10.006. Epub 2007 May 23.

Abstract

This study was to evaluate acoustic changes in student actors' voices after 12 months of actor training. The design used was a longitudinal study. Eighteen students enrolled in an Australian tertiary 3-year acting program (nine male and nine female) were assessed at the beginning of their acting course and again 12 months later using a questionnaire, interview, maximum phonation time (MPT), reading, spontaneous speaking, sustained phonation tasks, and a pitch range task. Samples were analyzed for MPT, fundamental frequency across tasks, pitch range for speaking and reading, singing pitch range, noise-to-harmonic ratio, shimmer, and jitter. After training, measures of shimmer significantly increased for both male and female participants. Female participants' pitch range significantly increased after training, with a significantly lower mean frequency for their lowest pitch. The finding of limited or negative changes for some measures indicate that further investigation is required into the long-term effects of actor voice training and which parameters of voicing are most targeted and valued in training. Particular investigation into the relationship between training targets and outcomes could more reliably inform acting programs about changes in teaching methodologies. Further research into the relationship between specific training techniques, physiological changes, and vocal changes may also provide information on implementing more evidence-based training methods.

摘要

本研究旨在评估学生演员经过12个月的表演训练后其声音的声学变化。采用的设计是纵向研究。18名就读于澳大利亚三年制高等表演课程的学生(9名男性和9名女性)在表演课程开始时接受评估,并在12个月后再次接受评估,评估方式包括问卷调查、访谈、最大发声时间(MPT)、朗读、即兴发言、持续发声任务以及音高范围任务。对样本进行MPT、各项任务中的基频、朗读和发言的音高范围、歌唱音高范围、噪声谐波比、微扰和抖动分析。训练后,男性和女性参与者的微扰测量值均显著增加。女性参与者训练后的音高范围显著增加,其最低音高的平均频率显著降低。一些测量结果显示变化有限或呈负面,这表明需要进一步研究演员声音训练的长期影响,以及在训练中哪些发声参数是最具针对性和最受重视的。对训练目标与结果之间关系的具体研究可以更可靠地为表演课程提供有关教学方法变化的信息。对特定训练技巧、生理变化和声音变化之间关系的进一步研究也可能为实施更多基于证据的训练方法提供信息。

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