Märker Anna
Max Planck Institute for the History of Science, Berlin.
Nuncius. 2006;21(2):295-321.
Since its foundation in the late eighteenth century, the Royal Museum of Physics and Natural History (La Specola) in Florence was famous for its anatomical models in wax. This paper reconstructs multiple meanings of the models by focusing on practices of model production and model use, and by situating the models' reception within their institutional and cultural context.
自18世纪末成立以来，佛罗伦萨的皇家物理与自然历史博物馆（拉·斯佩科拉博物馆）就以其蜡制解剖模型而闻名。本文通过关注模型制作和使用的实践，并将模型的接受情况置于其机构和文化背景中，重构了这些模型的多重意义。
