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脑电图(EEG)和脑磁图(MEG)对由声音频谱复杂性调制的N1和P2听觉诱发电位的敏感性。

Sensitivity of EEG and MEG to the N1 and P2 auditory evoked responses modulated by spectral complexity of sounds.

作者信息

Shahin Antoine J, Roberts Larry E, Miller Lee M, McDonald Kelly L, Alain Claude

机构信息

UC Davis Center for Mind and Brain, University of California-Davis, 267 Cousteau Place, Davis, CA 95618, USA.

出版信息

Brain Topogr. 2007 Winter;20(2):55-61. doi: 10.1007/s10548-007-0031-4. Epub 2007 Sep 25.

Abstract

Acoustic complexity of a stimulus has been shown to modulate the electromagnetic N1 (latency approximately 110 ms) and P2 (latency 190 ms) auditory evoked responses. We compared the relative sensitivity of electroencephalography (EEG) and magnetoencephalography (MEG) to these neural correlates of sensation. Simultaneous EEG and MEG were recorded while participants listened to three variants of a piano tone. The piano stimuli differed in their number of harmonics: the fundamental frequency (f ( 0 )), only, or f ( 0 ) and the first two or eight harmonics. The root mean square (RMS) of the amplitude of P2 but not N1 increased with spectral complexity of the piano tones in EEG and MEG. The RMS increase for P2 was more prominent in EEG than MEG, suggesting important radial sources contributing to the P2 only in EEG. Source analysis revealing contributions from radial and tangential sources was conducted to test this hypothesis. Source waveforms revealed a significant increase in the P2 radial source amplitude in EEG with increased spectral complexity of piano tones. The P2 of the tangential source waveforms also increased in amplitude with increased spectral complexity in EEG and MEG. The P2 auditory evoked response is thus represented by both tangential (gyri) and radial (sulci) activities. The radial contribution is expressed preferentially in EEG, highlighting the importance of combining EEG with MEG where complex source configurations are suspected.

摘要

研究表明,刺激的声学复杂性可调节电磁N1(潜伏期约110毫秒)和P2(潜伏期190毫秒)听觉诱发电位。我们比较了脑电图(EEG)和脑磁图(MEG)对这些感觉神经关联的相对敏感性。在参与者聆听钢琴音调的三种变体时,同时记录EEG和MEG。钢琴刺激的谐波数量不同:仅基频(f(0)),或f(0)以及前两个或八个谐波。在EEG和MEG中,P2而非N1的振幅均方根(RMS)随钢琴音调的频谱复杂性增加而增加。P2的RMS增加在EEG中比在MEG中更显著,表明仅在EEG中有重要的径向源对P2有贡献。进行了揭示径向源和切向源贡献的源分析以检验该假设。源波形显示,随着钢琴音调频谱复杂性增加,EEG中P2径向源振幅显著增加。在EEG和MEG中,切向源波形的P2振幅也随频谱复杂性增加而增加。因此,P2听觉诱发电位由切向(脑回)和径向(脑沟)活动共同表示。径向贡献在EEG中表现得更为明显,这突出了在怀疑存在复杂源配置的情况下将EEG与MEG结合的重要性。

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