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[古典音乐演奏者中的声创伤]

[Acoustic trauma in classical music players].

作者信息

Morais Dario, Benito José Ignacio, Almaraz Ana

机构信息

Servicio de Otorrinolaringología, Hospital Clínico Universitario de Valladolid, Valladolid, España.

出版信息

Acta Otorrinolaringol Esp. 2007 Nov;58(9):401-7.

Abstract

OBJECTIVE

To confirm the existence of acoustic trauma in classical musicians.

MATERIAL AND METHOD

Sixty-five volunteers from the Castilla and León Symphony Orchestra were studied. The hearing thresholds of each musician were age-corrected using the ELI and ISO 7029:2000 scales. Furthermore the sound levels of the instruments in this symphony orchestra were studied.

RESULTS

We observed that the sound level of the symphony orchestra instruments is higher than the level permitted by law, ie it constitutes a risk for hearing loss. We also found that 4 kHz hearing loss in the 5th percentile among musicians was double the rate that would be expected for age, and that violinists and viola players showed poorer hearing in the left ear.

CONCLUSIONS

Classical music causes acoustic trauma in musicians and should be recognized as a professional illness. Musicians are obliged to protect their hearing and to undergo regular check-ups.

摘要

目的

证实古典音乐家存在声学创伤。

材料与方法

对来自卡斯蒂利亚-莱昂交响乐团的65名志愿者进行了研究。使用ELI和ISO 7029:2000标准对每位音乐家的听力阈值进行年龄校正。此外,还对该交响乐团乐器的声级进行了研究。

结果

我们观察到交响乐团乐器的声级高于法律允许的水平,即它构成了听力损失的风险。我们还发现,音乐家群体中处于第5百分位的4kHz听力损失是预期年龄相关损失率的两倍,并且小提琴手和中提琴手左耳的听力较差。

结论

古典音乐对音乐家造成声学创伤,应被视为一种职业疾病。音乐家有义务保护自己的听力并定期进行检查。

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