Escoffier Jeffrey
J Homosex. 2007;53(1-2):173-200. doi: 10.1300/J082v53n01_08.
This article explores the career dynamics of performers in the gay male pornography industry, by focusing on a common career path- from porn star to stripper to escort. Between 1995 and 2005, most men performing in gay porn films, unlike contract actresses in the straight porn industry, have been unable to earn enough income to work exclusively as performers in front of the camera. The industry's constant search for new faces and fresh performers creates what sociologist Paul Cressey has called "the retrogressive dynamic": The longer a person works in a sexual occupation, the less one is paid, and the lower the status of the work venue. In the porn industry, one aspect of this process is referred to as "overexposure," during which the performer experiences a diminishing "fantasy potential" as fans lose erotic interest in the porn star who has appeared too frequently in too many movies. Performers attempt to confront the retrogressive dynamic by limiting the number of adult films in which they appear in a year, diversifying their sexual repertoire, or shifting into other roles within the industry (behind the camera, marketing, production, etc.). One common option is to pursue work in economically complementary forms of sex work such as stripping and escorting.
本文通过聚焦一条常见的职业道路——从色情明星到脱衣舞男再到男妓,探讨了男同性恋色情行业从业者的职业动态。1995年至2005年间,与异性色情行业的签约女演员不同,大多数出演男同性恋色情电影的男性无法赚取足够的收入来专门从事镜头前的表演工作。该行业不断寻找新面孔和新鲜的表演者,创造了社会学家保罗·克雷西所说的“倒退动态”:一个人在性行业工作的时间越长,收入就越少,工作场所的地位也越低。在色情行业,这一过程的一个方面被称为“过度曝光”,在此期间,随着粉丝对在太多电影中频繁出现的色情明星失去色情兴趣,表演者的“幻想潜力”逐渐减弱。表演者试图通过限制自己一年中出演的成人电影数量、使自己的性表演多样化或转向行业内的其他角色(幕后、营销、制作等)来应对这种倒退动态。一个常见的选择是从事经济上互补的性工作形式,如脱衣舞表演和男妓工作。