Pinto Paulo Daniel, Linhares João Manuel Maciel, Nascimento Sérgio Miguel Cardoso
Department of Physics, Campus de Gualtar, University of Minho, 4710-057 Braga, Portugal.
J Opt Soc Am A Opt Image Sci Vis. 2008 Mar;25(3):623-30. doi: 10.1364/josaa.25.000623.
The visual effects of lighting on art paintings is an important aspect that should be considered by museum curators. The aim of this work was to determine the correlated color temperature (CCT) of daylight illumination preferred by observers when appreciating art paintings. Hyperspectral images of 11 oil paintings were collected at the museum, and the appearance of the paintings under daylight illuminants with CCT from 25,000 K to 3600 K was computed. In a psychophysical experiment using precise CRT reproductions of the paintings, observers had to adjust the CCT of the illuminant such that it produced the best visual impression. It was found that the distribution of observers' preferences had a maximum at a CCT of about 5100 K and that this value did not depend on whether the observers were undergraduate students or museum visitors or on the degree of adaptation to the color of the illumination. These results suggest that observers prefer a more bluish-white light than that normally used in museums.
灯光对艺术画作的视觉效果是博物馆馆长应考虑的一个重要方面。这项工作的目的是确定观察者在欣赏艺术画作时所偏好的日光照明的相关色温(CCT)。在博物馆收集了11幅油画的高光谱图像,并计算了这些画作在色温从25000K到3600K的日光光源下的外观。在一个使用画作精确CRT复制品的心理物理学实验中,观察者必须调整光源的色温,使其产生最佳视觉印象。结果发现,观察者偏好分布在约5100K的色温处达到最大值,并且该值不取决于观察者是本科生还是博物馆参观者,也不取决于对照明颜色的适应程度。这些结果表明,观察者更喜欢比博物馆通常使用的光更偏蓝白色的光。