Sitnikova Tatiana, Holcomb Phillip J, Kiyonaga Kristi A, Kuperberg Gina R
Harvard Medical School, Cambridge, MA, USA.
J Cogn Neurosci. 2008 Nov;20(11):2037-57. doi: 10.1162/jocn.2008.20143.
How do comprehenders build up overall meaning representations of visual real-world events? This question was examined by recording event-related potentials (ERPs) while participants viewed short, silent movie clips depicting everyday events. In two experiments, it was demonstrated that presentation of the contextually inappropriate information in the movie endings evoked an anterior negativity. This effect was similar to the N400 component whose amplitude has been previously reported to inversely correlate with the strength of semantic relationship between the context and the eliciting stimulus in word and static picture paradigms. However, a second, somewhat later, ERP component--a posterior late positivity--was evoked specifically when target objects presented in the movie endings violated goal-related requirements of the action constrained by the scenario context (e.g., an electric iron that does not have a sharp-enough edge was used in place of a knife in a cutting bread scenario context). These findings suggest that comprehension of the visual real world might be mediated by two neurophysiologically distinct semantic integration mechanisms. The first mechanism, reflected by the anterior N400-like negativity, maps the incoming information onto the connections of various strengths between concepts in semantic memory. The second mechanism, reflected by the posterior late positivity, evaluates the incoming information against the discrete requirements of real-world actions. We suggest that there may be a tradeoff between these mechanisms in their utility for integrating across people, objects, and actions during event comprehension, in which the first mechanism is better suited for familiar situations, and the second mechanism is better suited for novel situations.
理解者如何构建视觉现实世界事件的整体意义表征?通过记录参与者观看描绘日常事件的简短无声电影片段时的事件相关电位(ERP)来研究这个问题。在两个实验中,结果表明在电影结尾呈现与上下文不匹配的信息会引发前部负波。这种效应类似于N400成分,先前已有报道称其波幅与单词和静态图片范式中上下文与引发刺激之间语义关系的强度呈负相关。然而,当电影结尾呈现的目标物体违反了场景上下文所限定动作的目标相关要求时(例如,在切面包的场景中,使用边缘不够锋利的电熨斗代替刀),会特别引发第二个、稍晚出现的ERP成分——后部晚期正波。这些发现表明,对视觉现实世界的理解可能由两种神经生理学上不同的语义整合机制介导。第一种机制由前部类似N400的负波反映,将传入信息映射到语义记忆中概念之间不同强度的连接上。第二种机制由后部晚期正波反映,根据现实世界动作的离散要求评估传入信息。我们认为,在事件理解过程中,这两种机制在整合人物、物体和动作方面的效用可能存在权衡,其中第一种机制更适合熟悉的情况,第二种机制更适合新颖的情况。