Wade Nicholas J
School of Psychology, University of Dundee, Dundee, Scotland.
J Hist Neurosci. 2008;17(3):274-94. doi: 10.1080/00497870701884179.
The art of visual communication is not restricted to the fine arts. Scientists also apply art in communicating their ideas graphically. Diagrams of anatomical structures, like the eye and visual pathways, and figures displaying specific visual phenomena have assisted in the communication of visual ideas for centuries. It is often the case that the development of a discipline can be traced through graphical representations and this is explored here in the context of concepts of visual science. As with any science, vision can be subdivided in a variety of ways. The classification adopted is in terms of optics, anatomy, and visual phenomena; each of these can in turn be further subdivided. Optics can be considered in terms of the nature of light and its transmission through the eye. Understanding of the gross anatomy of the eye and visual pathways was initially dependent upon the skills of the anatomist whereas microanatomy relied to a large extent on the instruments that could resolve cellular detail, allied to the observational skills of the microscopist. Visual phenomena could often be displayed on the printed page, although novel instruments expanded the scope of seeing, particularly in the nineteenth century.
视觉传达艺术并不局限于美术领域。科学家们也会运用艺术以图形方式来传达他们的想法。几个世纪以来,诸如眼睛和视觉通路等解剖结构的示意图,以及展示特定视觉现象的图形,都有助于视觉概念的传播。通常情况下,一门学科的发展历程可以通过图形表示来追溯,本文将在视觉科学概念的背景下对此进行探讨。与任何科学一样,视觉可以通过多种方式进行细分。这里采用的分类方式是依据光学、解剖学和视觉现象;其中每一项又可以进一步细分。光学可以从光的本质及其在眼睛中的传播来考量。对眼睛和视觉通路大体解剖结构的理解最初依赖于解剖学家的技能,而微观解剖学在很大程度上则依赖于能够分辨细胞细节的仪器,以及显微镜学家的观察技能。视觉现象通常可以呈现在印刷页面上,尽管新型仪器拓展了观察范围,尤其是在19世纪。