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大脑、心智与身体:文艺复兴时期意大利的艺术互动

Brain, mind, and body: interactions with art in renaissance Italy.

作者信息

Ginn Sheryl R, Lorusso Lorenzo

机构信息

Department of Social Sciences, Rowan Cabarrus Community College, Concord, NC, USA.

出版信息

J Hist Neurosci. 2008;17(3):295-313. doi: 10.1080/09647040701575900.

Abstract

The Renaissance saw the first systematic anatomical and physiological studies of the brain and human body because scientists, for the first time in centuries, were allowed to dissect human bodies for study. Renaissance artists were frequently found at dissections and their attention to detail can be observed in their products. Scientists themselves were increasingly artistic, and they created astonishing anatomical models and illustrations that can still be studied. The cross-fertilization of art and science in the Renaissance resulted in more scientific analyses of neuroanatomy as well as more creative ways in which such analyses could be depicted. Both art and science benefited from the reciprocal ways in which the two influenced each other even as they provided new ways of explaining the mysteries of the human body and mind.

摘要

文艺复兴时期见证了对大脑和人体的首次系统解剖学和生理学研究,因为几个世纪以来,科学家首次被允许解剖人体进行研究。人们经常发现文艺复兴时期的艺术家参与解剖,他们作品中对细节的关注可见一斑。科学家们自身也越来越具有艺术性,他们制作出了令人惊叹的解剖模型和插图,至今仍可供研究。文艺复兴时期艺术与科学的相互交融,带来了对神经解剖学更科学的分析,以及描绘此类分析的更具创造性的方式。艺术和科学都从二者相互影响的方式中受益,同时它们也为解释人体和思维的奥秘提供了新途径。

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