Lovell Camille Collins, Pappas-Deluca Katina A, Sebert Kuhlmann Anne K, Koppenhaver Todd, Kong Sandra, Mooki Maungo, Galavotti Christine
Axiom Research Management, Virginia, USA.
Int Q Community Health Educ. 2007;28(3):181-200. doi: 10.2190/IQ.28.3.b.
Entertainment-education programs promote health and development goals throughout the world. This study looks specifically at a radio serial drama designed to provide behavioral role models for HIV prevention and reproductive health in Botswana as part of the behavior-change strategy, Modeling and Reinforcement to Combat HIV/AIDS (MARCH). The purpose of this qualitative study is to elucidate regular listeners' involvement and identification with three different types of fictional characters in the drama. Regular listeners were interviewed using a semi-structured guide; 31 interviews were analyzed to assess respondents' reactions to three female characters. The findings suggest that characters designed to be "negative," "positive," and "transitional" (i.e., moving from negative to positive) role models were generally perceived as such and that the type of behavior modeled influenced whether a character was perceived to be transitional or positive. Audience members discussed the implications of specific behaviors by contrasting the different character types. Although characters modeled behaviors within distinct but interrelated storylines, the respondents spontaneously compared characters' ways of confronting similar dilemmas across storylines, suggesting that listeners perceived the drama as a unified whole rather than as a series of parallel stories. The use of more than one transitional character for each behavioral objective might be beneficial for improving audience identification with agents of behavior change by providing several models to which the audience can relate.
娱乐教育节目在全球范围内促进健康和发展目标的实现。本研究特别关注一部广播连续剧,该剧旨在为博茨瓦纳的艾滋病毒预防和生殖健康提供行为榜样,作为行为改变策略“抗击艾滋病毒/艾滋病的示范与强化”(MARCH)的一部分。这项定性研究的目的是阐明常听众对剧中三种不同类型虚构角色的参与度和认同感。使用半结构化指南对常听众进行访谈;对31次访谈进行分析,以评估受访者对三个女性角色的反应。研究结果表明,被设计为“负面”“正面”和“过渡性”(即从负面转变为正面)榜样的角色通常被如此看待,且所呈现行为的类型影响了一个角色被视为过渡性还是正面性。观众成员通过对比不同角色类型讨论了特定行为的影响。尽管角色在不同但相互关联的故事情节中呈现行为,但受访者自发地比较了不同故事情节中角色面对类似困境的方式,这表明听众将该剧视为一个统一的整体,而非一系列平行的故事。为每个行为目标使用多个过渡性角色可能有助于通过提供多个观众可与之产生共鸣的榜样,提高观众对行为改变推动者的认同感。