Dynevor Centre for Art, Design and Media, Swansea Metropolitan University, Swansea, UK.
J Anat. 2010 Feb;216(2):251-63. doi: 10.1111/j.1469-7580.2009.01166.x. Epub 2009 Nov 19.
The correspondences and disparities between how artists and anatomists view the body have historically been a source of creative collaboration, but how is this imaginative interdisciplinarity sustained and expressed in a contemporary context? In this review I suggest that contemporary artists engaging with the body, and the corresponding biomedical and architectural spaces where the body is investigated, are engendering innovative and challenging artworks that stimulate new relationships between art and anatomy. Citing a number of examples from key artists and referencing some of my own practice-based research, I posit that creative cross-fertilization provokes a discourse between mediated public perceptions of disease, death and the disposal of morbid remains, and the contemporary reality of biomedical practice. This is a dialogue that is complex, rich and diverse, and ultimately rewarding for both art and anatomy.
艺术家和解剖学家对人体的看法之间的对应和差异历来是创造性合作的源泉,但这种富有想象力的跨学科性如何在当代背景下得以维持和表达?在这篇综述中,我认为,当代从事人体研究的艺术家以及相应的生物医学和建筑空间正在创作具有创新性和挑战性的艺术作品,这些作品激发了艺术与解剖学之间的新关系。我引用了一些关键艺术家的例子,并参考了我自己的一些基于实践的研究,提出创造性的交叉授粉引发了关于公众对疾病、死亡和病态遗体处理的看法与当代生物医学实践之间的对话。这是一个复杂、丰富和多样化的对话,最终对艺术和解剖学都有回报。