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视觉和运动想象方式对全身旋转过程中平衡控制的影响。

Influence of vision and motor imagery styles on equilibrium control during whole-body rotations.

作者信息

Golomer Eveline M E, Gravenhorst Robynne M, Toussaint Yann

机构信息

Laboratoire EA 4070 Equipe Action, Mouvement, Adaptation, Université Paris Descartes, Paris, France.

出版信息

Somatosens Mot Res. 2009 Dec;26(4):105-10. doi: 10.3109/08990220903384968.

Abstract

To investigate the influence of vision and motor imagery styles on equilibrium control, displacements of the supporting foot during spontaneous whole-body rotations ("pirouette") by expert female ballet dancers were analyzed using three-dimensional kinematics. Four turn types were defined according to direction (clockwise, CW vs. counterclockwise, CCW) and supporting foot (SF, left vs. right). Visual influences were examined by including two visual conditions (blindfolded vs. full-vision). Motor imagery styles were determined using the Vividness of Movement Imagery Questionnaire (VMIQ) (Kinesthetic, n = 4 vs. Visual/Kinesthetic, n = 6). Turning direction preference was assessed by a closed-response questionnaire in which all dancers indicated that they preferred CW turn direction. Kinesthetic dancers showed more SF displacement during CCW (non-preferred direction) than CW (preferred direction) pirouettes. However, Visual/Kinesthetic dancers showed no significant effect of turn direction. Furthermore, Kinesthetic dancers showed no significant effect of vision on SF displacement whereas Visual/Kinesthetic dancers showed significantly higher SF displacement when vision was occluded. Thus there appears to be a selective effect of vision on Visual/Kinesthetic dancers, and a selective effect of turn direction on Kinesthetic dancers. These results suggest that perceptual styles should be taken into consideration when training tasks that require fine equilibrium control because the factors that perturb balance differ depending on perceptual style.

摘要

为了研究视觉和运动想象方式对平衡控制的影响,利用三维运动学分析了专业女性芭蕾舞演员在自发全身旋转(“单脚尖旋转”)过程中支撑脚的位移。根据旋转方向(顺时针,CW与逆时针,CCW)和支撑脚(SF,左脚与右脚)定义了四种旋转类型。通过纳入两种视觉条件(蒙眼与全视觉)来检验视觉影响。使用运动想象生动性问卷(VMIQ)确定运动想象方式(动觉,n = 4与视觉/动觉,n = 6)。通过封闭式问卷评估旋转方向偏好,所有舞者均表示他们更喜欢顺时针旋转方向。动觉型舞者在逆时针(非偏好方向)单脚尖旋转时比在顺时针(偏好方向)单脚尖旋转时表现出更多的支撑脚位移。然而,视觉/动觉型舞者未表现出旋转方向的显著影响。此外,动觉型舞者未表现出视觉对支撑脚位移的显著影响,而视觉/动觉型舞者在视觉被遮挡时表现出显著更高的支撑脚位移。因此,视觉对视觉/动觉型舞者似乎有选择性影响,旋转方向对动觉型舞者有选择性影响。这些结果表明,在进行需要精细平衡控制的训练任务时,应考虑感知方式,因为干扰平衡的因素因感知方式而异。

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