Golomer Eveline, Toussaint Yann, Bouillette Arnaud, Keller Jean
Laboratoire EA 4070 Equipe Action, Mouvement, Adaptation, Université Paris Descartes, UFR STAPS, 1 rue Lacretelle, 75015 Paris, France.
J Electromyogr Kinesiol. 2009 Apr;19(2):314-21. doi: 10.1016/j.jelekin.2007.08.004. Epub 2007 Sep 21.
The link between supporting leg stability and individual trunk strategies used during spontaneous whole-body rotations was studied according to visual and kinesthetic imagery styles for classical dancers and untrained female participants. Shoulders-hip angles in the horizontal plane and supporting leg (SL) displacements were analyzed with three-dimensional kinematic at the beginning and end of the four turns, identified according to their SL (left vs. right) and turn direction (clockwise, CW vs. counterclockwise, CCW). To begin a turn in CCW on left SL, all the participants turned shoulders before hips (-25 degrees angle), p<0.01. Untrained participants yielded the reverse (+30 degrees angle) in CW - their non-preferred turn - whereas dancers maintained their trunk en bloc. In the turn slow down, in their preferred direction all the participants adopted en bloc behavior to avoid imbalance. Dancers kept this pattern in CCW but untrained participants separated shoulders and hips, p<0.01; on left SL (+20 degrees angle) hips finished before shoulders and on right SL (-25 degrees angle), shoulders finished before hips. Both mental imagery styles and spatial context link reduction of shoulder-hip angle and stability of SL. Daily expertise, not only dance training, facilitates the en bloc shoulder-hip coordination to maintain equilibrium.
针对古典舞者和未经训练的女性参与者,根据视觉和动觉意象风格,研究了自发全身旋转过程中支撑腿稳定性与个体躯干策略之间的联系。在四次旋转的开始和结束时,采用三维运动学分析水平面内的肩髋角度和支撑腿(SL)位移,根据支撑腿(左与右)和旋转方向(顺时针,CW与逆时针,CCW)进行识别。为了以左支撑腿开始逆时针旋转,所有参与者在髋部之前转动肩部(-25度角),p<0.01。未经训练的参与者在顺时针旋转(他们不喜欢的旋转方向)时呈现相反的情况(+30度角),而舞者保持其躯干整体移动。在旋转减速时,在他们喜欢的方向上,所有参与者都采用整体移动行为以避免失衡。舞者在逆时针旋转时保持这种模式,但未经训练的参与者肩部和髋部分离,p<0.01;在左支撑腿时(+20度角)髋部先于肩部结束,在右支撑腿时(-25度角),肩部先于髋部结束。心理意象风格和空间背景都将肩髋角度的减小与支撑腿的稳定性联系起来。日常的专业技能,不仅是舞蹈训练,有助于肩部-髋部的整体协调以保持平衡。