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学习并喜欢上一个人工音乐系统:集合大小和重复接触的影响。

Learning and liking an artificial musical system: Effects of set size and repeated exposure.

作者信息

Loui Psyche, Wessel David

机构信息

Postdoctoral Research Fellow, Department of Neurology, Beth Israel Deaconess Medical Center, Harvard Medical School.

出版信息

Music Sci. 2008 Oct 1;12(2):207. doi: 10.1177/102986490801200202.

Abstract

We report an investigation of humans' musical learning ability using a novel musical system. We designed an artificial musical system based on the Bohlen-Pierce scale, a scale very different from Western music. Melodies were composed from chord progressions in the new scale by applying the rules of a finite-state grammar. After exposing participants to sets of melodies, we conducted listening tests to assess learning, including recognition tests, generalization tests, and subjective preference ratings. In Experiment 1, participants were presented with 15 melodies 27 times each. Forced choice results showed that participants were able to recognize previously encountered melodies and generalize their knowledge to new melodies, suggesting internalization of the musical grammar.Preference ratings showed no differentiation among familiar, new, and ungrammatical melodies. In Experiment 2, participants were given 10 melodies 40 times each. Results showed superior recognition but unsuccessful generalization. Additionally, preference ratings were significantly higher for familiar melodies. Results from the two experiments suggest that humans can internalize the grammatical structure of a new musical system following exposure to a sufficiently large set size of melodies, but musical preference results from repeated exposure to a small number of items. This dissociation between grammar learning and preference will be further discussed.

摘要

我们报告了一项使用新型音乐系统对人类音乐学习能力的研究。我们基于博伦-皮尔斯音阶设计了一种人工音乐系统,该音阶与西方音乐有很大不同。旋律是通过应用有限状态语法规则,由新音阶中的和弦进行编排而成。在让参与者接触多组旋律后,我们进行了听力测试以评估学习情况,包括识别测试、泛化测试和主观偏好评分。在实验1中,向参与者展示了15首旋律,每首旋律展示27次。强制选择结果表明,参与者能够识别之前听过的旋律,并将他们的知识推广到新旋律上,这表明音乐语法已被内化。偏好评分显示,熟悉的旋律、新旋律和不符合语法的旋律之间没有差异。在实验2中,给参与者展示了10首旋律,每首旋律展示40次。结果显示识别能力更强,但泛化能力未成功。此外,对熟悉旋律的偏好评分明显更高。这两个实验的结果表明,人类在接触足够多数量的旋律后能够内化新音乐系统的语法结构,但音乐偏好源于对少量曲目的反复接触。语法学习和偏好之间的这种分离将进一步讨论。

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