Oechslin Mathias S, Imfeld Adrian, Loenneker Thomas, Meyer Martin, Jäncke Lutz
Department of Neuropsychology, Division of Psychology, University of Zurich Zurich, Switzerland.
Front Hum Neurosci. 2010 Feb 8;3:76. doi: 10.3389/neuro.09.076.2009. eCollection 2009.
Previous neuroimaging studies have demonstrated that musical expertise leads to functional alterations in language processing. We utilized diffusion tensor imaging (DTI) to investigate white matter plasticity in musicians with absolute pitch (AP), relative pitch and non-musicians. Using DTI, we analysed the fractional anisotropy (FA) of the superior longitudinal fasciculus (SLF), which is considered the most primary pathway for processing and production of speech and music. In association with different levels of musical expertise, we found that AP is characterized by a greater left than right asymmetry of FA in core fibres of the SLF. A voxel-based analysis revealed three clusters within the left hemisphere SLF that showed significant positive correlations with error rates only for AP-musicians in an AP-test, but not for musicians without AP. We therefore conclude that the SLF architecture in AP musicians is related to AP acuity. In order to reconcile our observations with general aspects of development of fibre bundles, we introduce the Pioneer Axon Thesis, a theoretical approach to formalize axonal arrangements of major white matter pathways.
先前的神经影像学研究表明,音乐专长会导致语言处理功能发生改变。我们利用扩散张量成像(DTI)来研究具有绝对音高(AP)、相对音高的音乐家以及非音乐家的白质可塑性。通过DTI,我们分析了上纵束(SLF)的分数各向异性(FA),该束被认为是处理和产生语音及音乐的最主要通路。结合不同水平的音乐专长,我们发现,绝对音高者的特征是,上纵束核心纤维的FA左半球比右半球的不对称性更大。基于体素的分析揭示,左半球上纵束内有三个簇,仅在绝对音高测试中,这些簇与绝对音高音乐家的错误率呈显著正相关,而与无绝对音高的音乐家无关。因此,我们得出结论,绝对音高音乐家的上纵束结构与绝对音高敏锐度有关。为了使我们的观察结果与纤维束发育的一般情况相协调,我们引入了先驱轴突假说,这是一种将主要白质通路的轴突排列形式化的理论方法。