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使用分形脑电图分析揭示音频感知中的动作表示过程。

Revealing action representation processes in audio perception using fractal EEG analysis.

机构信息

Department of Electrical and Computer Engineering, Aristotle University of Thessaloniki, Thessaloniki GR-54124, Greece.

出版信息

IEEE Trans Biomed Eng. 2011 Apr;58(4):1120-9. doi: 10.1109/TBME.2010.2047016. Epub 2010 Apr 12.

Abstract

Electroencephalogram (EEG) recordings, and especially the Mu-rhythm over the sensorimotor cortex that relates to the activation of the mirror neuron system (MNS), were acquired from two subject groups (orchestral musicians and nonmusicians), in order to explore action representation processes involved in the perception and performance of musical pieces. Two types of stimuli were used, i.e., an auditory one consisting of an excerpt of Beethoven's fifth symphony and a visual one presenting a conductor directing an orchestra performing the same excerpt of the piece. Three tasks were conducted including auditory stimulation, audiovisual stimulation, and visual stimulation only, and the acquired signals were processed using fractal [time-dependent fractal dimension (FD) estimation] and statistical analysis (analysis of variance, Mann-Whitney). Experimental results showed significant differences between the two groups while desychronization of the Mu-rhythm, which can be linked to MNS activation, was observed during all tasks for the musicians' group, as opposed to the nonmusicians' group who exhibited similar response only when the visual stimulus was present. The mobility of the conductor was also correlated to the estimated FD signals, showing significantly higher correlation for the case of musicians compared to nonmusicians' one. The present study sheds light upon the difference in action representation in auditory perception between musicians and nonmusicians and paves the way for better comprehension of the underlying mechanisms of the MNS.

摘要

脑电图(EEG)记录,特别是与镜像神经元系统(MNS)激活相关的感觉运动皮层上的 Mu 节律,从两个受试群体(管弦乐队音乐家和非音乐家)中获得,以探索涉及感知和演奏音乐作品的动作表现过程。使用了两种类型的刺激,即听觉刺激,包括贝多芬第五交响曲的一个片段,以及视觉刺激,呈现指挥家指挥管弦乐队演奏同一作品片段。进行了三项任务,包括听觉刺激、视听刺激和仅视觉刺激,并使用分形[时间相关分形维数(FD)估计]和统计分析(方差分析、Mann-Whitney)处理获取的信号。实验结果表明,两组之间存在显著差异,而音乐家组在所有任务中都观察到 Mu 节律的去同步化,这可以与 MNS 激活相关联,而非音乐家组仅在存在视觉刺激时表现出相似的反应。指挥的运动性也与估计的 FD 信号相关,与非音乐家相比,音乐家的相关性明显更高。本研究揭示了音乐家和非音乐家在听觉感知中动作表现的差异,并为更好地理解 MNS 的潜在机制铺平了道路。

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